Someday is Now: The Art of Corita Kent is the first full-scale survey covering more than 30 years of work by the American artist, Corita Kent (1918-1986). In her rich and varied career, she was a designer, teacher, feminist, and activist for civil rights and anti-war causes. Her thousands of posters, murals, and signature serigraphs reflect these combined passions for faith and politics. Kent became one of the most popular graphic artists of the 1960s and ‘70s, and her images remain iconic symbols that address the larger questions and concerns of that turbulent time and continue to influence many artists today.
While several exhibitions have focused on Corita’s work from the ‘60s, Someday is Now is the first major museum show to survey her entire career, including early abstractions and text pieces as well as the more lyrical works made in the 1970s and 1980s. The exhibition also includes rarely shown photographs Corita used for teaching and documentary purposes.
Someday Is Now is organized by Ian Berry, Dayton Director of the Tang Museum, and Michael Duncan, independent curator and art critic, in collaboration with the Corita Art Center, Los Angeles. The exhibition is made possible with the generous support of the Andy Warhol Foundation for the Visual Arts and the Friends of the Tang.
Corita Kent (1918-1986) was a pioneering, Los Angeles-based artist and designer. For over three decades, Corita, as she is commonly referred to, experimented in printmaking, producing a prodigious and groundbreaking body of work that combines faith, activism, and teaching with messages of acceptance and hope. Her vibrant, Pop-inspired prints from the 1960s pose philosophical questions about racism, war, poverty, and religion and remain iconic symbols of that period in American history. Bringing together artwork from across Corita’s entire career, Someday Is Now reveals the impassioned energy of this artist, educator, and activist.
A Sister of the Immaculate Heart of Mary, Corita taught at the Art Department at Immaculate Heart College from 1947 through 1968. At IHC, Corita developed her own version of Pop art, mixing bright, bold imagery with provocative texts pulled from a range of secular and religious sources, including street signs, scripture, poetry, philosophy, advertising, and pop song lyrics. She used printmaking as a populist medium to communicate with the world, and her avant-garde designs appeared widely as billboards, book jackets, illustrations, and posters. By the mid-1960s Corita and IHC’s art department had become legendary, frequently bringing such guests as John Cage, Charles and Ray Eames, Buckminster Fuller, Saul Bass, and Alfred Hitchcock. Dubbed the “joyous revolutionary” by artist Ben Shahn, Corita lectured extensively, appeared on television and radio talk shows across the country, and on the cover of Newsweek in 1967.
As a teacher, Corita inspired her students to discover new ways of experiencing the world. She asked them to see with fresh eyes through the use of a "finder," an empty 35mm slide mount that students looked through to frame arresting compositions and images. Seeking out revelation in the everyday, students explored grocery stores, car dealerships, and the streets of Hollywood. As Corita’s friend, theologian Harvey Cox, noted, “Like a priest, a shaman, a magician, she could pass her hands over the commonest of the everyday, the superficial, the oh-so-ordinary, and make it a vehicle of the luminous, the only, and the hope filled.”
In the 1960s, during a drive across the country, Andy Warhol famously said, “Once you got Pop you could never see a sign the same way again,” reflecting on how pop was everywhere. And that, “once you thought Pop, you could never see America the same way again.” Like Warhol, Corita Kent was enamored with everyday objects that most people take for granted, things people see without really seeing.
In 1979, Corita asked her friend and former student Jan Steward to collaborate on a book that would capture Corita’s work as an educator. It took 13 years for the book, Learning By Heart, to be published, six years after Corita’s death at the age of 68. This “workbook” as Steward calls it is not only a manual to learn how to draw and paint, it is also a guide to being creative and to seeing the world anew.
Use the assignments below to experience Corita’s teachings first-hand. All of the content, assignments, and quotes come directly from Steward and Corita’s book. Corita’s students recorded their source material and inspirations in a sense diary, and it became a creative tool for making art. Share your assignments with us using hashtag #CoritaKent.