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DTSTART;TZID=America/New_York:20190314T190000
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SUMMARY:The Artist Up Close: Devan Shimoyama
DESCRIPTION:Catalogue contributors\, Jessica Beck\, Emily Colucci\, Alex Fialho\, and Rickey Laurentiis\, talk with Devan Shimoyama about his work and practice. This event serves as a closing dialogue for the exhibition\, Devan Shimoyama: Cry\, Baby\, and offers a chance for the community to respond and meet the artist. Shimoyama and authors will be available to sign copies of the exhibition catalogue\, which will be for sale in The Warhol Store. \nJessica Beck is the Milton Fine Curator of Art at The Andy Warhol Museum. Beck has curated many projects\, including Andy Warhol: My Perfect Body\, the first exhibition to explore the complexities of beauty\, pain\, and perfection in Warhol’s practice. In 2017\, she brought the Firelei Báez: Bloodlines exhibition to the Warhol\, and in 2018 organized the exhibition catalogue and curated Devan Shimoyama’s first museum show\, Devan Shimoyama: Cry\, Baby. As a Warhol scholar\, she has written extensively on Warhol’s 1980s paintings\, the AIDs epidemic\, the representation of intimacy in Warhol’s contact sheets\, and his relationship with the late Jon Gould. Her writings on Warhol have been published in Gagosian Quarterly\, the Whitney Museum of American Art’s retrospective catalogue\, Andy Warhol—From A to B and Back Again\, and the Cantor Center for the Visual Arts’ publication\, Contact Warhol: Photography Without End. Beck began her scholarly work on Warhol at the University of Chicago where she received her B.A. in Art History\, and continued her engagement with Warhol and identity politics through her graduate studies at the Courtauld Institute of Art\, where she wrote her dissertation on Glenn Ligon’s work and its relationship to Warhol’s practice.  Beck completed her M.A. with Distinction. Beck also serves as a visiting scholar in the School of Art at Carnegie Mellon University. \nEmily Colucci is a writer\, curator\, and co-founder of Filthy Dreams\, an award-winning blog analyzing art\, culture\, and politics through a queer lens and with a touch of camp. In 2016\, she was awarded an Andy Warhol Foundation Arts Writers Grant for Filthy Dreams. In addition\, Emily has contributed to many publications and magazines including VICE\, Salon\, The Los Angeles Review of Books\, POZ\, Flaunt\, Art Papers\, Art F City\, and others. In 2017\, she curated Night Fever\, a group on disco and its aesthetic legacy at the Pittsburgh art space\, Future Tenant; and in 2015\, she co-curated Visual AIDS’s annual exhibition\, Party Out Of Bounds: Nightlife As Activism Since 1980 at LaMaMa Galleria in New York\, and its satellite exhibition\, Courtship Disorder\, which featured an installation by John Walter for London’s White Cubicle Toilet Gallery. \nAlex Fialho is a curator and arts writer based in New York. He is a frequent contributor to Artforum\, and the Programs Director for Visual AIDS\, where he facilitates projects around both the history and immediacy of the ongoing HIV/AIDS epidemic\, with particular stakes intervening against the widespread whitewashing of HIV/AIDS cultural narratives. Together with Melissa Levin\, Fialho manages The Michael Richards Estate and has curated multiple exhibitions stewarding the legacy of Richards’ art\, life and legacy. Fialho has presented his research on the art of Glenn Ligon and Keith Haring at the College Art Association and NYU Fales Library. His extensive oral histories with Ron Athey\, Gregg Bordowitz\, Nayland Blake\, Douglas Crimp\, Lia Gangitano\, Nan Goldin\, Lyle Ashton Harris\, Bill Jacobson\, Patrick Moore\, Jack Pierson\, Joey Terrill\, Julie Tolentino\, Marguerite Van Cook\, Jack Waters and Carrie Yamaoka are part of the Smithsonian Archives of American Art’s Visual Arts and the AIDS Epidemic Oral History Project. \nPoet Rickey Laurentiis was raised in New Orleans\, Louisiana and is the author of Boy with Thorn (2015). Laurentiis is the winner of the Cave Canem Poetry Prize\, the Levis Reading Prize\, and was a finalist for the Kate Tufts Discovery Award. His other honors include fellowships from the Whiting Foundation\, the Lannan Literary Foundation\, the National Endowment for the Arts\, the Civitella Ranieri Foundation\, and the Poetry Foundation. His poem\, “Visible City\,” opened Notes for Now\, the catalogue for Prospect.3 New Orleans\, curated by Franklin Sirmans. Laurentiis currently lives in Pittsburgh\, and is as the inaugural Fellow in Creative Writing at the Center for African American Poetry and Poetics at the University of Pittsburgh. \nDevan Shimoyama was born in Philadelphia in 1989 and lives and works in Pittsburgh\, Pennsylvania. He received his BFA in drawing and painting from Pennsylvania State University in 2011\, and his MFA from Yale University School of Art in 2014. Shimoyama has exhibited widely at galleries throughout the United States\, including New York’s De Buck Gallery\, Lesley Heller Gallery\, and Bravin Lee Programs; Samuel Freeman Gallery in Los Angeles; Alter Space in San Francisco; and Emmanuel Gallery in Denver. His work was also included in Realities in Contemporary Video Art at the Fondation des Etats Unis\, in Paris in 2015. In 2019\, Holland Cotter selected Shimoyama as one of the the New York Times’ “19 Artists to Watch\,” His work has been written about in The Los Angeles Times\, New American Paintings\, Pinwheel\, the blog Filthy Dreams\, and Saatchi Art. In 2016\, Shimoyama was named the winner of the Miami Beach PULSE Prize at PULSE Miami Beach. He is currently represented by De Buck Gallery in New York\, and is the Cooper-Siegel Assistant Professor of Art in the School of Art at Carnegie Mellon University.
URL:https://www.warhol.org/events/the-artist-up-close-devan-shimoyama/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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DTSTART;TZID=America/New_York:20181026T190000
DTEND;TZID=America/New_York:20181026T191500
DTSTAMP:20260420T223402
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T193039Z
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SUMMARY:Shop Talk: Kleaver Cruz and Devan Shimoyama discuss Black Joy\, Masculinity\, and Barbershops
DESCRIPTION:Kleaver Cruz brings The Black Joy Project to Pittsburgh. For one week in October\, Cruz will explore black spaces in Pittsburgh\, take portraits\, and conduct conversations regarding Black joy. As a culmination of his residency\, he will speak with artist Devan Shimoyama and community members about navigating black barbershops and the complex experience of being queer in these spaces. The event will be followed by a late-night dance party in the museum entrance space with a local DJ and a live performance by Pittsburgh-based performer\, Brendon Hawkins. This event is organized by Jessica Beck\, the Milton Fine curator of art at The Warhol in collaboration with Rickey Laurentiis the inaugural Fellow in Creative Writing at the Center for African American Poetry and Poetics.\n\nKleaver Cruz\, a native of New York\, is a writer and creator of The Black Joy Project\, a digital and real-world movement\, which centers Black joy as a form of resistance. Cruz is a member of “We Are All Dominican\,” a grassroots collective that amplifies voices and supports the work of Dominicans of Haitian descent and Haitian migrants in the Dominican Republic. His work has been featured in La Galería and African Voices magazines and Vibe.com and The Huffington Post. Cruz is part of the poetic duo\, The Delta\, which has performed at The Nuyorican Poet’s Café and Bowery Poetry Club. Cruz has presented and conducted his work across the African Diaspora in South Africa\, France\, and Brazil.
URL:https://www.warhol.org/events/shop-talk-kleaver-cruz-and-devan-shimoyama/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181025T190000
DTEND;TZID=America/New_York:20181025T191500
DTSTAMP:20260420T223402
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T193059Z
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SUMMARY:The Black Ecstatic: An Evening of Poetry & Film
DESCRIPTION:Three contemporary black poets\, Airea D. Matthews\, Roger Reeves\, and Safiya Sinclair\, and filmmaker Jamal T. Lewis will consider how “the ecstatic” functions in their artistic work and personal lives\, within the context of the contemporary moment\, where attention to black political and social life emphasizes death and unjustifiable violence. The program\, which will include poetry performances\, a brief film screening\, and discussion\, is organized and moderated by Rickey Laurentiis\, the inaugural Fellow in Creative Writing at Center for African American Poetry and Poetics. This program is presented in conjunction with our Devan Shimoyama: Cry\, Baby exhibition\, curated by Jessica Beck\, the Milton Fine curator of art at The Warhol.\n\nFounded in 2016\, Center for African American Poetry (CAAPP) at the University of Pittsburgh is a creative think tank for African American and African diasporic poetries and poetics whose mission is to highlight\, promote\, and share the poetry and poetic work of African American writers. The center’s programming aims to present exciting live poetry and conversation\, contextualize the meaning of that work\, and archive it for future generations\, while also operating as space for innovative collaboration between writers\, scholars\, and other artists thinking through poetics as a unique and contemporary movement. \nRickey Laurentiis was raised in New Orleans\, Louisiana\, and is the author of Boy with Thorn (2015)\, which won the Cave Canem Poetry Prize\, the Levis Reading Prize\, and was a finalist for the Kate Tufts Discovery Award. Other honors include fellowships from the Whiting Foundation\, the Lannan Literary Foundation\, the National Endowment for the Arts\, the Civitella Ranieri Foundation\, and the Poetry Foundation. Laurentiis’ poem\, “Visible City\,” opened Notes for Now\, the catalogue for Prospect.3 New Orleans\, curated by Franklin Sirmans. Laurentiis currently lives in Pittsburgh\, and is the inaugural Fellow in Creative Writing at the Center for African American Poetry and Poetics at the University of Pittsburgh. \nJamal T. Lewis\, b. 1990\, is an emerging multidisciplinary artist\, writer\, and documentary filmmaker. Lewis resides in Bedstuy\, Brooklyn\, and hails from Atlanta\, Georgia. Named by Teen Vogue as one of the “coolest queers on the internet\,” Lewis is also known as ‘fatfemme’\, a moniker that encapsulates life at the intersection of fat and femme identity — “spaces that people are afraid to occupy\,” she names. A graduate of Morehouse College and The New School\, Lewis produces work around the body\, specifically exploring and interrogating identity formation\, race\, gender\, sexuality\, desire\, beauty\, and ugliness. Lewis’s work has been featured in LA Times and New York Times. \nAirea D. Matthews’ first collection of poems\, Simulacra\, received the 2016 Yale Series of Younger Poets Award (Yale University Press\, 2017). Her work has appeared in Best American Poets 2015\, American Poets\, Four Way Review\, The Indiana Review\, Michigan Quarterly Review\, and elsewhere. She was awarded a 2016 Rona Jaffe Writer’s Foundation Award\, the 2016 Louis Untermeyer Scholarship from Bread Loaf Writers’ Conference\, a 2015 Kresge Literary Arts award as well as fellowships from Cave Canem\, Callaloo\, and the James Merrill House. She received her B.A. in Economics from the University of Pennsylvania\, her M.P.A. from the University of Michigan\, and her M.F.A. from the University of Michigan Helen Zell Writers’ Program. Matthews is working on her second poetry collection\, under/class\, which explores the behavioral and cultural ramifications of poverty. She lives in Detroit\, Michigan\, with her husband and four children. \nRoger Reeves received an M.F.A. in creative writing and a Ph.D. in English from the University of Texas\, Austin. His poems have appeared in Poetry\, Ploughshares\, American Poetry Review\, Boston Review\, Tin House\, Best American Poetry\, and the Indiana Review\, among other publications\, and he was included in Best New Poets 2009. Reeves was awarded a Ruth Lilly Fellowship from the Poetry Foundation in 2008; he is also the recipient of two Bread Loaf Scholarships and a Cave Canem Fellowship. In 2012\, Reeves received a National Endowment for the Arts Fellowship and a Pushcart Prize for his poem “The Field Museum.” He is an Assistant Professor of Poetry at the University of Illinois\, Chicago\, and a 2014–2015 Hodder Fellow at the Lewis Center for the Arts\, Princeton University. King Me (Copper Canyon Press\, 2013) is Reeves’s first book. \nSafiya Sinclair was born and raised in Montego Bay\, Jamaica. She is the author of Cannibal\, winner of a Whiting Writers’ Award\, the American Academy of Arts and Letters Addison M. Metcalf Award\, the OCM Bocas Prize for Caribbean Poetry\, the Phillis Wheatley Book Award\, the Prairie Schooner Book Prize in Poetry\, and selected as one of the American Library Association’s “Notable Books of the Year.” Cannibal was a finalist for the PEN Center USA Literary Award\, and longlisted for the PEN Open Book Award and the Dylan Thomas Prize. Sinclair’s other honors include a Pushcart Prize\, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation\, fellowships from Yaddo\, the Bread Loaf Writers’ Conference\, and the Fine Arts Work Center in Provincetown. Her poems have appeared in Poetry\, Kenyon Review\, Granta\, The Nation\, New England Review\, Boston Review\, Oxford American\, the 2018 Forward Book of Poetry\, and elsewhere. She received her MFA in poetry at the University of Virginia\, and is currently a PhD candidate in literature and creative writing at the University of Southern California.
URL:https://www.warhol.org/events/the-black-ecstatic-an-evening-of-poetry-film/
LOCATION:Frick Fine Arts Building (Oakland)\, 650 Schenley Drive\, Pittsburgh\, PA\, 15260\, United States
CATEGORIES:Film and Video,Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180629T190000
DTEND;TZID=America/New_York:20180629T191500
DTSTAMP:20260420T223402
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T190909Z
UID:10001798-1530298800-1530299700@www.warhol.org
SUMMARY:Art in Context: The Hustle
DESCRIPTION:In 1949\, a young Andy Warhol left Pittsburgh and settled in New York City\, where he balanced a career as a commercial illustrator with dreams of success in the art world. How do artists pay the bills in 2018? How is Pittsburgh’s art scene evolving and changing? Join us as we discuss the challenges and opportunities facing working artists and creative communities in Pittsburgh today.\n\nPanel participants include Casey Droege\, cultural producer\, artist\, and Executive Director of Casey Droege Cultural Productions; D.S. Kinsel\, creative entrepreneur\, cultural agitator\, and co-founder of BOOM Concepts; Chris McGinnis\, artist\, educator\, and Director and Chief Curator for Rivers of Steel Arts; and David B. Pankratz\, Research & Policy Director of the Greater Pittsburgh Arts Council. The talk will be moderated by Isolde Brielmaier\, Assistant Professor of Critical Studies in the Department of Photography\, Imaging and Emerging Media at New York University’s Tisch School of the Arts.
URL:https://www.warhol.org/events/art-in-context-the-hustle/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Art in Context,Free and Reduced,Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180601T180000
DTEND;TZID=America/New_York:20180601T210000
DTSTAMP:20260420T223402
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T192354Z
UID:10001806-1527876000-1527886800@www.warhol.org
SUMMARY:Teen Town Hall
DESCRIPTION:Teen Town Hall is an intimate follow up to Youth Invasion 2018: Stay Woke. Hundreds of teens visited the museum for the annual event\, and although the youth were energized and empowered\, they wanted to know more about getting involved and staying engaged. The event features a panel of youth and adult activists sharing their experiences and advice. Space is limited.
URL:https://www.warhol.org/events/teen-town-hall/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions,Teens
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180428T140000
DTEND;TZID=America/New_York:20180428T141500
DTSTAMP:20260420T223402
CREATED:20260416T184238Z
LAST-MODIFIED:20260416T190556Z
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SUMMARY:Andy Warhol’s Business Art with Anthony E. Grudin\, Alex J. Taylor\, and Blake Gopnik
DESCRIPTION:In conjunction with the exhibition Adman: Warhol Before Pop\, Anthony E. Grudin\, assistant professor of art history at The University of Vermont\, reads from his 2017 publication Warhol’s Working Class: Pop Art and Egalitarianism\, which explores Andy Warhol’s creative engagement with social class. During the 1960s\, Warhol’s work appropriated images\, techniques\, and technologies that have long been described as generically “American” or “middle class.” Alex J. Taylor\, assistant professor and academic curator at the University of Pittsburgh\, will present new research on Warhol’s now iconic canvases of Campbell’s Soup cans and his engagement in the 1960s with corporations\, specifically\, America’s burgeoning packaged food industry. \nFollowing the reading\, Blake Gopnik\, Warhol biographer and New York-based art critic\, leads a Q&A focusing on the points of intersection between Grudin’s latest book\, research\, and the themes of the exhibition Adman: Warhol Before Pop. \nAnthony E. Grudin received his B.A. in Art History from Reed College and his Ph.D. in Art History from the University of California\, Berkeley\, where he had a Javits Fellowship. Prior to his position at UVM\, he taught at Berkeley and the California College of the Arts\, and developed classes on modern and postmodern art\, curatorial practice\, the methods and theories of Art History\, relationships between art and athletics\, and the persistence of the Kantian notion of disinterest in the aesthetic sphere. \nAlex J. Taylor is a historian of modern American art and visual culture. His research interests include transnational modernisms\, studio practice\, artistic self-fashioning\, patronage\, consumer cultures\, and the intersections between art\, politics and capitalism. Taylor was the inaugural Terra Foundation Research Fellow in American Art at Tate\, where he led the Refiguring American Art initiative. Before shifting his focus to American art\, Taylor spent a decade working as an arts administrator\, critic and curator in Australia. He held key roles at the Australian Centre for the Moving Image and Experimenta Media Arts\, and as a board member and chair of National Exhibition Touring Support (Victoria). \nBlake Gopnik is an American art critic who lives in New York City. He is critic-at-large for Artnet News and writes on art and design for a wide range of publications. Gopnik is currently at work on a comprehensive biography of Andy Warhol.
URL:https://www.warhol.org/events/andy-warhols-business-art/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180105T190000
DTEND;TZID=America/New_York:20180105T210000
DTSTAMP:20260420T223402
CREATED:20260326T200359Z
LAST-MODIFIED:20260326T200634Z
UID:10001739-1515178800-1515186000@www.warhol.org
SUMMARY:Art in Context: Border Crossings
DESCRIPTION:Artists\, scholars\, and community members come together to consider creative expression in relation to timely political and social concerns. Explore shifting perspectives on historic and contemporary immigrant and refugee experiences in Pittsburgh and beyond. In a complex and contentious era of border closures\, anti-immigrant rhetoric\, and isolationism\, what role do artists play in maintaining the free exchange of ideas across cultural boundaries?  \nPanel participants include Betty Cruz\, Founder of Change Agency; Tuhin Das\, ICORN writer-in-residence at City of Asylum; Anne Madarasz\, Director of the Curatorial Division\, Chief Historian\, and Director of the Western Pennsylvania Sports Museum at the Heinz History Center; Grant Oliphant\, President of The Heinz Endowments; and John Righetti\, President Emeritus of the Carpatho-Rusyn Society.
URL:https://www.warhol.org/events/art-context-border-crossings/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Art in Context,Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171103T190000
DTEND;TZID=America/New_York:20171103T191500
DTSTAMP:20260420T223402
CREATED:20260325T173648Z
LAST-MODIFIED:20260325T181714Z
UID:10001729-1509735600-1509736500@www.warhol.org
SUMMARY:Cowboy Cinema
DESCRIPTION:Artist Farhad Moshiri’s lavish canvases draw inspiration from the tropes of the classic American Westerns he absorbed as a child in his father’s cinema in Iran. For artists like Moshiri and Andy Warhol alike\, the cowboy represents an enduring symbol of American identity\, culture\, and aspiration\, and serves as fodder for their own pop compositions. Join film scholar Dr. Mark Best and Chief Curator Jose Diaz as they discuss campy clips from Elvis Presley’s Flaming Star\, John Wayne classics dubbed in Farsi\, the Marx Brothers’ Go West\, Andy Warhol’s Lonesome Cowboys\, and more\, unpacking the romantic myth of the cowboy and its influence in global popular culture.
URL:https://www.warhol.org/events/cowboy-cinema/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171021T140000
DTEND;TZID=America/New_York:20171021T141500
DTSTAMP:20260420T223402
CREATED:20260325T173657Z
LAST-MODIFIED:20260325T182329Z
UID:10001732-1508594400-1508595300@www.warhol.org
SUMMARY:Crossing the Red Line: Exhibiting Iranian Art in the US
DESCRIPTION:Join us at City of Asylum for an afternoon with Dr. Shiva Balaghi\, an independent scholar and curator based in Los Angeles. For nearly two decades\, Dr. Balaghi taught cultural history at NYU and Brown University. She authored Picturing Iran: Art Society and Revolution and writes regularly for museums and art publications. Most recently she has contributed to the catalogue for Farhad Moshiri: Go West\, the first museum solo for one of Iran’s most prominent artists. \nIn conjunction with our Go West exhibition\, Balaghi will discuss Moshiri’s artwork and extend her discussion into what it means to exhibit\, write about\, critique\, and view contemporary Iranian art at museums in the United States.
URL:https://www.warhol.org/events/afternoon-dr-shiva-balaghi/
LOCATION:City of Asylum (North Side)\, 40 W North Avenue\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170319T140000
DTEND;TZID=America/New_York:20170319T141500
DTSTAMP:20260420T223402
CREATED:20260324T191008Z
LAST-MODIFIED:20260324T191947Z
UID:10001680-1489932000-1489932900@www.warhol.org
SUMMARY:Activist Print: Artists in Dialogue
DESCRIPTION:In conjunction with the installation Activist Print\, join artists Paradise Gray\, Alisha B. Wormsley\, and Bekezela Mguni for an in-depth conversation about their participation in Activist Print\, a public art partnership between The Warhol\, Boom Concepts\, and Artists Image Resource (AIR). Moderated by project collaborator D.S. Kinsel\, the panel takes a close look at the artists’ practice through questions of activism and social justice in contemporary art and the community.
URL:https://www.warhol.org/events/activist-print-artists-in-dialogue/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170310T190000
DTEND;TZID=America/New_York:20170310T191500
DTSTAMP:20260420T223402
CREATED:20260324T190958Z
LAST-MODIFIED:20260324T192006Z
UID:10001682-1489172400-1489173300@www.warhol.org
SUMMARY:What Counts as Human? A Discussion with Christopher Fynsk\, Ursula Heise\, and Illah Nourbakhsh
DESCRIPTION:Illah Nourbakhsh\, professor of robotics at CMU and director of Pittsburgh’s CREATE Lab\, asks us to consider: “What if we become so manipulable… that we’re the robots?” He poses this and other provocative questions in this interdisciplinary triple bill that brings literature\, philosophy\, and technology studies together to consider the human as an agent of mimicry and self-alienation by way of—and despite—technological advances. \nNourbakhsh is joined by Christopher Fynsk\, Maurice Blanchot chair and dean of the philosophy and critical theory division of the European Graduate School\, and Ursula Heise\, professor of literary studies at UCLA and co-founder of its Lab for Environmental Narrative Strategies (LENS).
URL:https://www.warhol.org/events/what-counts-as-human-a-discussion-with-christopher-fynsk-ursula-heise-and-illah-nourbakhsh/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170224T190000
DTEND;TZID=America/New_York:20170224T191500
DTSTAMP:20260420T223402
CREATED:20260324T191008Z
LAST-MODIFIED:20260324T191532Z
UID:10001669-1487962800-1487963700@www.warhol.org
SUMMARY:No Half Steppin’: Paradise Gray reading and book signing
DESCRIPTION:The Warhol welcomes Pittsburgh-based author\, artist\, producer\, and activist Claude “Paradise” Gray for a reading and Q&A\, directly followed by a book signing. The event celebrates his new book No Half Steppin’ — An Oral and Pictorial History of New York City Club the Latin Quarter and the Birth of Hip-Hop’s Golden Era\, co-authored by Giuseppe “u.net” Pipitone. Gray is one of the artists included in the museum’s Activist Print project. Activist Print is a collaboration between The Warhol\, BOOM Concepts (a creative hub for artists to incubate ideas)\, and the North Side printmaking studio Artists Image Resource (AIR). \nThe evening also features a special guest DJ spinning classic hits from Hip Hop’s Golden Era. The Factory studio is open late featuring screenprinting and other hands-on projects inspired by Gray’s work.
URL:https://www.warhol.org/events/no-half-steppin-paradise-gray-reading-book-signing/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/02/Paradise-Gray-Ya-Momz-House-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170210T190000
DTEND;TZID=America/New_York:20170210T191500
DTSTAMP:20260420T223402
CREATED:20260317T183729Z
LAST-MODIFIED:20260317T190509Z
UID:10001507-1486753200-1486754100@www.warhol.org
SUMMARY:Talks Back: A Screening Program
DESCRIPTION:Talks Back is a screening program and an extension of HACKING / MODDING / REMIXING as Feminist Protest\, an exhibition of interventions and provocations on pop culture by women in technology from 1978 to present at Carnegie Mellon University’s Miller Gallery. The exhibtion is on view January 27 to February 26\, 2017. The screening program includes video works by women artists who\, like Andy Warhol himself\, have opted to move away from the limitations of gallery contexts and art world audiences and put themselves in conversation with television and cinema (and their audiences). Inspired by the possibilities offered by public access television in so-called low culture\, these artists bring new meaning to films and television programming by inserting themselves into existing media narratives. The exhibition and screening are curated by Angela Washko\, visiting assistant professor of art at Carnegie Mellon University. \nThe program features a live performance by Ann Hirsch. Artists in the program include Ann Hirsch\, Barbara Hammer\, Dynasty Handbag\, Narcissister\, Rachel Rampleman\, Sadie Benning\, Sondra Perry\, and Suzie Silver. \nPlease note this program contains adult subject matter.
URL:https://www.warhol.org/events/talks-back-a-screening-program/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2017-02-10_Talks_Back-250.jpg
GEO:40.4483755;-80.0024907
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Warhol theater 117 Sandusky Street Pittsburgh PA 15212 United States;X-APPLE-RADIUS=500;X-TITLE=117 Sandusky Street:geo:-80.0024907,40.4483755
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170120T190000
DTEND;TZID=America/New_York:20170120T191500
DTSTAMP:20260420T223402
CREATED:20260317T144931Z
LAST-MODIFIED:20260317T182841Z
UID:10001485-1484938800-1484939700@www.warhol.org
SUMMARY:My Perfect Body: James Elkins lecture
DESCRIPTION:In conjunction with the exhibition Andy Warhol: My Perfect Body\, James Elkins speaks about the limits of the representation of the body in contemporary and postmodern art\, with reference to Andy Warhol’s work. Building on the arguments that he established in his seminal text Pictures of the Body: Pain & Metamorphosis\, Elkins makes the case that Warhol’s work is a model for problems of abstraction and body image. A Q&A led by Jessica Beck\, The Warhol’s associate curator of art\, follows. This program serves as a closing event for the exhibition Andy Warhol: My Perfect Body. \nJames Elkins is chair of the department of art history\, theory\, and criticism at the School of the Art Institute of Chicago\, as well as chair of the department of art history at University College Cork in Ireland. Eklins’s writing focuses on the history and theory of images in art\, science\, and nature. Some of his books are exclusively on fine art (What Painting Is\, Why Are Our Pictures Puzzles?)\, others include scientific and non-art images\, writing systems\, and archaeology (The Domain of Images\, On Pictures and the Words That Fail Them)\, and some are about natural history (How to Use Your Eyes). His most recent books are What Photography Is\, written against Roland Barthes’s Camera Lucida\, and Art Critiques: A Guide.
URL:https://www.warhol.org/events/my-perfect-body-james-elkins-lecture/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2016-01-27-James_Elkins-250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161208T190000
DTEND;TZID=America/New_York:20161208T191500
DTSTAMP:20260420T223402
CREATED:20260317T144931Z
LAST-MODIFIED:20260317T145043Z
UID:10001464-1481223600-1481224500@www.warhol.org
SUMMARY:My Perfect Body: Douglas Crimp and Before Pictures reading
DESCRIPTION:In conjunction with the exhibition Andy Warhol: My Perfect Body\, Douglas Crimp reads from his 2016 memoir Before Pictures\, which tells the story of Crimp’s life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. The details of his professional and personal life are interwoven in this history of New York City at that time\, producing a vivid portrait of both the critic and his adopted city. \nFollowing the reading Jessica Beck\, The Warhol’s associate curator of art\, leads a Q&A focusing on the points of intersection between Crimp’s latest book\, research\, and the themes of the exhibition Andy Warhol: My Perfect Body. \nA book signing in The Warhol Store follows the event. \nDouglas Crimp is Fanny Knapp Allen professor of art history at the University of Rochester and the author of On the Museum’s Ruins\, 1993; Melancholia and Moralism: Essays on AIDS and Queer Politics\, 2002; “Our Kind of Movie”: The Films of Andy Warhol\, 2012; and Before Pictures\, 2016. He was the curator of the Pictures exhibition at Artists Space\, New York\, in 1977 and\, from 1977 to 1990\, an editor of the journal October\, for which he edited the special issue AIDS: Cultural Analysis/Cultural Activism in 1987. With Lynne Cooke\, he organized the exhibition Mixed Use\, Manhattan for the Reina Sofía in Madrid in 2010\, and he was on the curatorial team for the 2015 iteration of MoMA PS1’s quinquennial Greater New York. \nFREE parking in The Warhol lot
URL:https://www.warhol.org/events/my-perfect-body-douglas-crimp-and-before-pictures-reading/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2016/12/2016-12-08-Douglas_Crimp-250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161119T190000
DTEND;TZID=America/New_York:20161119T191500
DTSTAMP:20260420T223402
CREATED:20260317T144931Z
LAST-MODIFIED:20260317T170349Z
UID:10001467-1479582000-1479582900@www.warhol.org
SUMMARY:My Perfect Body: John Giorno and Flaming Creatures screening
DESCRIPTION:In conjunction with the exhibition Andy Warhol: My Perfect Body\, poet John Giorno speaks with Jessica Beck\, The Warhol’s associate curator of art\, and Eric Crosby\, Carnegie Museum of Art’s Richard Armstrong curator of modern and contemporary art\, about his relationship to Andy Warhol and New York’s 1960s underground film culture. Jack Smith’s Flaming Creatures (1963\, 45 minutes) is screened before the discussion. \nFlaming Creatures is a seminal avant-garde film that created national controversy for its depiction of sexuality. Smith’s film\, like many of Warhol’s\, was about disrupting gender and sexuality norms and creating a new form of eroticism. \nJohn Giorno is an artistic innovator who has been defying assumptions of poet\, performer\, political activist\, Tibetan Buddhist\, and visual artist since he emerged upon the New York art scene in the late 1950s. In the 1960s\, he began producing multi-media\, multi-sensory events concurrent with Warhol’s Exploding Plastic Inevitable. He worked with Rauschenberg’s Experiments in Art and Technology (E.A.T) in 1966 and with Bob Moog in 1967–68. His breakthroughs in this area include Dial-A-Poem\, which was first exhibited in 1968 at the Architectural Society of New York and was additionally exhibited in the Museum of Modern Art’s Information exhibition in 1970. The first comprehensive retrospective of his work I LOVE JOHN GIORNO\, curated by Ugo Rondinone\, opened in fall 2016 at the Palais de Tokyo\, Paris. \nThis event is co-presented with Carnegie Museum of Art. \nDistribution: Film-Makers’ Cooperative
URL:https://www.warhol.org/events/my-perfect-body-john-giorno-and-flaming-creatures-screening/
LOCATION:Carnegie Museum of Art theater (Oakland)\, 4400 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2016-11-19-John_Giorno-250.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161105T140000
DTEND;TZID=America/New_York:20161105T141500
DTSTAMP:20260420T223402
CREATED:20260317T144931Z
LAST-MODIFIED:20260317T170437Z
UID:10001470-1478354400-1478355300@www.warhol.org
SUMMARY:Exposures: Artist Talk
DESCRIPTION:Exposures artist Adam Milner discusses his installation Remains with Jessica Beck\, The Warhol’s associate curator of art. Milner’s installation juxtaposes found mementos and detritus from our daily lives alongside unusual objects mined from the permanent collection. Displayed in archival vitrines\, Milner’s work highlights the seemingly arbitrary nature of Warhol’s collecting habits and the challenges and failures of the archive to accurately represent the life of the artist. Milner discusses the development of his practice and his work in various media including paintings\, drawings\, and archival installations. Remains is on view on the museum’s third floor near the archives collection from November 2\, 2016 – January 15\, 2017.
URL:https://www.warhol.org/events/exposures-artist-talk-3/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2016-11-05-Exposures_Artist_Talk-250.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160820T140000
DTEND;TZID=America/New_York:20160820T141500
DTSTAMP:20260420T223402
CREATED:20260305T202255Z
LAST-MODIFIED:20260305T203613Z
UID:10001443-1471701600-1471702500@www.warhol.org
SUMMARY:In Discussion: Ai Weiwei in Contemporary China
DESCRIPTION:Join us for a panel discussion about Ai Weiwei in the broader context of contemporary art and politics in China. Panelists include Cindy Lisica\, art historian and gallery director; Taliesin Thomas\, director of contemporary Chinese art organization AW Asia; and John Wagner Givens\, Asian Studies Center associate and adjunct professor at the University of Pittsburgh. The panel is moderated by Jessica Beck\, The Warhol’s associate curator of art. This program is presented in conjunction with Andy Warhol | Ai Weiwei\, on view through August 28\, 2016.
URL:https://www.warhol.org/events/in-discussion-ai-weiwei-in-contemporary-china/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/png:https://www.warhol.org/wp-content/uploads/2017/01/2016-08-20-Ai_Weiwei_Pitt_Panel-250.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160617T190000
DTEND;TZID=America/New_York:20160617T191500
DTSTAMP:20260420T223402
CREATED:20260305T202247Z
LAST-MODIFIED:20260305T203638Z
UID:10001445-1466190000-1466190900@www.warhol.org
SUMMARY:In Discussion: Alison Klayman\, Director and Producer of Ai Weiwei: Never Sorry 
DESCRIPTION:View the Andy Warhol | Ai Weiwei exhibition website. \nIn conjunction with Andy Warhol | Ai Weiwei\, join us for a discussion with Alison Klayman\, director and producer of Ai Weiwei: Never Sorry; Jessica Beck\, The Warhol’s associate curator of art; and Geralyn Huxley\, The Warhol’s curator of film & video. Ai Weiwei: Never Sorry is the inside story of Ai Weiwei\, a dissident for the digital age who inspires global audiences and blurs the boundaries of art and politics. Klayman gained unprecedented access to Ai while working as a journalist in China. Her detailed portrait provides a nuanced exploration of contemporary China and one of its most compelling public figures. Klayman was a Sundance Documentary Fellow and one of Filmmaker Magazine’s “25 New Faces of Independent Film.” \nAi Weiwei: Never Sorry will screen daily at 2 p.m. in The Warhol theater from June 3–August 28\, 2016\, during the run of the exhibition Andy Warhol | Ai Weiwei. \nFilm schedules are subject to change. Please call 412.237.8300 for the daily schedule.
URL:https://www.warhol.org/events/in-discussion-alison-klayman-director-and-producer-of-ai-weiwei-never-sorry/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/dailyscreening-250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160602T200000
DTEND;TZID=America/New_York:20160602T201500
DTSTAMP:20260420T223402
CREATED:20260305T202247Z
LAST-MODIFIED:20260305T203952Z
UID:10001450-1464897600-1464898500@www.warhol.org
SUMMARY:SOLD OUT: In Discussion: Ai Weiwei and Eric Shiner
DESCRIPTION:View the Andy Warhol | Ai Weiwei exhibition website.  \nJoin us for a conversation between artist Ai Weiwei and The Warhol’s Director Eric Shiner. The conversation explores themes in the exhibition Andy Warhol | Ai Weiwei\, such as the influence of these two artists on modern and contemporary life\, focusing on the parallels\, intersections\, and points of difference between their practices. This discussion is presented in conjunction with Andy Warhol | Ai Weiwei on view at The Warhol June 4–August 28\, 2016\, and with Ai Weiwei’s Circle of Animals / Zodiac Heads on view at Carnegie Museum of Art May 28–August 29\, 2016. \nThis program is co-presented with Carnegie Museum of Art.
URL:https://www.warhol.org/events/sold-out-in-discussion-ai-weiwei-and-eric-shiner/
LOCATION:Carnegie Music Hall (Oakland)\, 4400 Forbes Avenue\, PA\, 15213\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/AiWeiwei_opening-250-1.jpg
GEO:40.4433413;-79.9509942
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160521T120000
DTEND;TZID=America/New_York:20160521T121500
DTSTAMP:20260420T223402
CREATED:20260305T202247Z
LAST-MODIFIED:20260305T204107Z
UID:10001452-1463832000-1463832900@www.warhol.org
SUMMARY:Activist Print Community Dialogue and Project Launch
DESCRIPTION:This community dialogue and launch of Activist Print focuses on artist D.S. Kinsel’s mural What They Say\, What They Said and invites open discussion by providing insights into community and police interactions. The community dialogue includes panel members Pittsburgh Police Chief Cameron McLay\, Pittsburgh Police Commander Eric Holmes\, and D.S. Kinsel\, and the discussion is moderated by The Warhol’s Director Eric Shiner. \nActivist Print is a collaboration between The Andy Warhol Museum\, BOOM Concepts (a creative hub for artists to incubate ideas)\, and the North Side printmaking studio Artists Image Resource (AIR). Kinsel’s mural is the project’s introductory iteration of prints installed on the Rosa Villa\, a shuttered building across the street from The Warhol.
URL:https://www.warhol.org/events/activist-print-community-dialogue-and-project-launch/
LOCATION:PA
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/png:https://www.warhol.org/wp-content/uploads/2017/01/Activist_Print_logo-250-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160514T140000
DTEND;TZID=America/New_York:20160514T141500
DTSTAMP:20260420T223402
CREATED:20260305T202247Z
LAST-MODIFIED:20260305T204114Z
UID:10001453-1463234400-1463235300@www.warhol.org
SUMMARY:Exposures: Artist Talk
DESCRIPTION:Exposures artist Zhiwan Cheung discusses his installation Hanging Fruit with Jessica Beck\, The Warhol’s associate curator of art. In relation to his recent work\, Cheung discusses how working in Pittsburgh has shaped his practice and where he hopes to take his work in the future. Cheung also shows a sequence of films from his graduate work at Carnegie Mellon University and installation photographs of his senior thesis The Impossibility of Home\, exhibited at the CMU’s Miller Gallery in spring 2016 in the exhibition Self Driving Car. Hanging Fruit is on view in The Warhol Store’s street-facing through August 14\, 2016. \nThis program is free and presented in recognition of Art Museum Day.
URL:https://www.warhol.org/events/exposures-artist-talk-2/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2016-03-19-install-3-05-250x120.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160220T140000
DTEND;TZID=America/New_York:20160220T141500
DTSTAMP:20260420T223402
CREATED:20260305T193433Z
LAST-MODIFIED:20260305T194813Z
UID:10001433-1455976800-1455977700@www.warhol.org
SUMMARY:Exposures: Artist Talk
DESCRIPTION:Exposures artists Elizabeth Rudnick and Jamie Earnest discuss their installations at The Warhol and their artistic practices with Jessica Beck\, The Warhol’s assistant curator of art. Both Earnest and Rudnick studied at Carnegie Mellon University\, and both share an interest in abstraction. The artists talk about their materials\, approaches\, and future projects as well as what it means to be an emerging artist in Pittsburgh today. Earnest’s Exposures installation Private Spaces / Public Personas is on view in The Warhol Store’s front-facing through May 1\, 2016.
URL:https://www.warhol.org/events/exposures-artist-talk/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/Jamie_Earnest_artist_talk-250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160209T170000
DTEND;TZID=America/New_York:20160209T171500
DTSTAMP:20260420T223402
CREATED:20260305T193433Z
LAST-MODIFIED:20260305T194932Z
UID:10001435-1455037200-1455038100@www.warhol.org
SUMMARY:CANCELED: Michael Chow aka Zhou Yinghua: Voice for My Father: Artist Talk
DESCRIPTION:This event has been canceled. \nMichael Chow joins Associate Curator of Art Jessica Beck in a discussion about his career as a painter\, which first began in the early 1960s. After a 50 year sabbatical\, Chow returned to painting and produced a new body of work\, which will be on view for the first time in the U.S. at The Warhol. As a successful entrepreneur\, Chow made a name for himself and surrounded himself with artists such as Andy Warhol\, Jean Michael Basquiat\, and Julian Schnabel. Chow also discusses a subtext of the exhibition\, the influence and legendary career of his father Zhou Xinfang\, a grand master of the Beijing Opera. This program is presented in conjunction with the exhibition Michael Chow aka Zhou Yinghua: Voice for My Father on view February 13 through May 8\, 2016.
URL:https://www.warhol.org/events/canceled-michael-chow-aka-zhou-yinghua-voice-for-my-father-artist-talk/
LOCATION:University of Pittsburgh (Oakland)\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2016-02-09-Chow_Artist_Talk-250.jpg
GEO:40.4443533;-79.960835
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20151114T140000
DTEND;TZID=America/New_York:20151114T141500
DTSTAMP:20260420T223402
CREATED:20260305T160926Z
LAST-MODIFIED:20260305T162038Z
UID:10001374-1447509600-1447510500@www.warhol.org
SUMMARY:In Discussion: Chief Archivist Matt Wrbican with art historian Lucy Mulroney
DESCRIPTION:This discussion focuses on the importance of The Warhol’s archival collection\, as well as that of Syracuse University\, where Lucy Mulroney is the curator of special collections. Mulroney discusses many recent discoveries that she made regarding the books Warhol produced in the 1960s\, such as A: A Novel (1968) and Andy Warhol’s Index (Book) (1967). This program is presented in conjunction with the exhibition Warhol By the Book.
URL:https://www.warhol.org/events/in-discussion-chief-archivist-matt-wrbican-with-art-historian-lucy-mulroney/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2015_11_14_13_Andy_Warhol_A_A_Novel_1968_AWF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20151113T190000
DTEND;TZID=America/New_York:20151113T191500
DTSTAMP:20260420T223402
CREATED:20260305T160926Z
LAST-MODIFIED:20260305T162056Z
UID:10001376-1447441200-1447442100@www.warhol.org
SUMMARY:OUT OF THE BOX: Time Capsule opening with Cataloguer Erin Byrne\, Chief Archivist Matt Wrbican\, and special guest Benjamin Liu
DESCRIPTION:Chief Archivist Matt Wrbican\, Cataloguer Erin Byrne\, and former Warhol assistant Benjamin Liu open Time Capsule 71\, one of Warhol’s 610 Time Capsules that is filled with books\, a few of which are displayed in the exhibition Warhol By the Book. Warhol was an avid collector of art\, Fiestaware\, photographs\, newspapers\, dental molds\, and especially the minutiae of his daily life. In 1974\, Warhol began filling the first of his Time Capsules with source material\, correspondence\, and clothing. The Time Capsules reflect more than Warhol’s personal life; they act as an insightful snapshot of the time and contain a wealth of information for researchers.
URL:https://www.warhol.org/events/out-of-the-box-time-capsule-opening-with-cataloguer-erin-byrne-chief-archivist-matt-wrbican-and-special-guest-benjamin-liu/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20151106T190000
DTEND;TZID=America/New_York:20151106T191500
DTSTAMP:20260420T223402
CREATED:20260305T160926Z
LAST-MODIFIED:20260305T162111Z
UID:10001378-1446836400-1446837300@www.warhol.org
SUMMARY:In Discussion: Chief Archivist Matt Wrbican with author and food historian Susan Rossi-Wilcox
DESCRIPTION:Join us for a discussion of the limited edition 1959 cookbook Wild Raspberries\, which Warhol illustrated. Susan Rossi-Wilcox and Matt Wrbican co-curated an exhibition on this book at The Warhol in 2008. Created by Warhol and close friend Suzie Frankfurt\, Wild Raspberries whimsically parodies popular French recipes that were in vogue with American middle- and upper-class tastes of the time\, highlighted by Warhol’s humorous illustrations.
URL:https://www.warhol.org/events/in-discussion-chief-archivist-matt-wrbican-with-author-and-food-historian-susan-rossi-wilcox/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20150711T140000
DTEND;TZID=America/New_York:20150711T141500
DTSTAMP:20260420T223402
CREATED:20260305T155407Z
LAST-MODIFIED:20260305T183755Z
UID:10001409-1436623200-1436624100@www.warhol.org
SUMMARY:Exposures: Meet the Artist
DESCRIPTION:Join us for our summer installment of Exposures for a casual talk with Pittsburgh-based emerging artist Elizabeth A. Rudnick. Taking inspiration from Warhol’s late prints on view in the museum’s Andy’s Toybox gallery\, Rudnick created three new large-scale abstract paintings\, installed in The Warhol Store’s street-facing windows. TREASURE/TRASH brings her work in dialogue with Warhol’s late print portfolio Truck (1985)\, which he produced to commemorate the 20th World Congress of the International Road Transport Union.
URL:https://www.warhol.org/events/exposures-meet-the-artist/
LOCATION:The Warhol Store\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20150419T103000
DTEND;TZID=America/New_York:20150419T104500
DTSTAMP:20260420T223402
CREATED:20260305T150224Z
LAST-MODIFIED:20260324T192407Z
UID:10001683-1429439400-1429440300@www.warhol.org
SUMMARY:Waldman International Arts and Writing Award and Recognition Event
DESCRIPTION:This is a partnership with The Holocaust Center\, The Pittsburgh Jewish Film Forum\, and Partnership 2Gether (P2G) of the Jewish Federation of Greater Pittsburgh. This recognition ceremony celebrates the winners of the Waldman International Arts and Writing Award competition. The winners’ work will be on display in the museum’s lobby on April 19 from 10am to 2pm.
URL:https://www.warhol.org/events/waldman-international-arts-and-writing-award-and-recognition-event/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20150418T140000
DTEND;TZID=America/New_York:20150418T141500
DTSTAMP:20260420T223402
CREATED:20260305T151529Z
LAST-MODIFIED:20260305T152115Z
UID:10001346-1429365600-1429366500@www.warhol.org
SUMMARY:Corita Kent in Her Contexts: Art\, Craft\, Politics\, and Society
DESCRIPTION:Dr. Ori Soltes\, who teaches theology\, philosophy\, and art history at Georgetown University\, explores Corita Kent’s contributions to art history. Visual art has rarely been devoid of connections to religion and politics\, and the hierarchy of visual artistic categories—architecture\, sculpture\, and painting; painting and photography; art and craft—has often offered blurred boundaries\, particularly in the modern era. Kent often articulated those connections and helped identify that one form of self-expression is no more “art” than another. This program is presented in conjunction with Someday is Now: The Art of Corita Kent\, on view January 31–April 19\, 2015\, and is made possible by Michael & Sherle Berger Foundation.
URL:https://www.warhol.org/events/corita-kent-in-her-contexts-art-craft-politics-and-society/
LOCATION:The Andy Warhol Museum\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
ATTACH;FMTTYPE=image/png:https://www.warhol.org/wp-content/uploads/2017/01/CK_Who-Came-Out-Of-The-Water.png
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END:VCALENDAR