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DTSTART;TZID=America/New_York:20220324T190000
DTEND;TZID=America/New_York:20220324T203000
DTSTAMP:20260622T032231
CREATED:20260422T185844Z
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SUMMARY:Future Tense: Microcinema Screening
DESCRIPTION:Join us for a screening of films and conversation with co-curators Barbara London and Ellen Larson.  \nWe are living in a time of crisis. Anxieties about the future and questions concerning the sustainability of the planet and its inhabitants have never felt more urgent. Future Tense asks how artists approach these and other global uncertainties in relationship to identity\, home\, and environment. Selected films highlight both the fragility and resilience of human ingenuity in relationship to nature\, space\, and place. Collectively\, the artists included in this program direct themselves towards the future. They look to the past to reclaim lost histories while simultaneously imagining new possible futures. Participating artists: Imani Dennison\, Fang Tianyu\, Thomas Allen Harris\, Pedro Neves Marques\, Joan Michel\, Su Yu-Hsin\, Wang Mowen\, and Zheng Yuan.  \nBarbara London is a New York-based curator and writer who founded the video-media exhibition and collection programs at The Museum of Modern Art\, where she worked between 1973 and 2013. Her current projects include the book Video/Art: The First Fifty Years (Phaidon: 2020)\, the podcast series Barbara London Calling\, and the exhibition Seeing Sound (Independent Curators International\, 2020-24). London’s writing has appeared in numerous catalogs and publications\, including Artforum\, Yishu\, Leonardo\, Art Asia Pacific\, Art in America\, and Modern Painter. London teaches in the Sound Art Department\, Columbia University\, and previously taught in the Graduate Art Department\, Yale University\, 2014-19. \nEllen Larson is a PhD candidate at the University of Pittsburgh\, focusing her doctoral research on contemporary video art from Asia. She has curated exhibitions and educational symposia in the United States and China. \n\nDoors open at 6:30 p.m.\nPlease note: For your safety and the safety of those around you\, all those attending this event must wear a face mask that covers both the nose and mouth. We reserve the right to require that those in attendance who do not follow safety guidelines or instructions from our staff will be asked to leave the premises. Failure to comply with this policy or rude or aggressive behavior will not be tolerated. Please see our Visitor Conduct Policy for more information.\nNotice for all buyers – By attending an in-person event at any of the Carnegie Museums of Pittsburgh\, you and any guests agree to voluntarily assume all risks related to exposure to COVID-19 and agree not to hold any presenting entities\, artists\, and the venue; or any of their affiliates\, directors\, officers\, employees\, agents\, contractors\, or volunteers liable for any illness or injury.\n\n 
URL:https://www.warhol.org/events/future-tense-microcinema-screening/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions
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DTSTART;TZID=America/New_York:20220128T190000
DTEND;TZID=America/New_York:20220128T190000
DTSTAMP:20260622T032231
CREATED:20260422T183343Z
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SUMMARY:Art in Context: Expanding Art History
DESCRIPTION:Out of an abundance of caution\, Art in Context: Expanding Art History has been canceled. \nWhose legacy lives on? Join artists and scholars for a dynamic conversation exploring the visibility of female-identified Latinx art and artists in the canons of art and culture in the contemporary United States. Inspired by the life and work of Marisol\, this conversation will feature author Angie Cruz\, artist Lucia Hierro\, and art historian Ana María Reyes alongside moderator Jennifer Josten of the University of Pittsburgh. \nBorn in Paris to Venezuelan parents\, Marisol (Maria Sol Escobar) held a central position in the New York art scene and international Pop movement in the 1960s. Over time\, however\, she was written out of the white male-dominated narratives of art history\, overshadowed by artists like Andy Warhol\, Roy Lichtenstein\, and Claes Oldenburg. Marisol and Warhol Take New York seeks to reclaim the importance of her practice; reframe the strength\, originality\, and daring nature of her work; and reconsider her as one of the leading figures of the Pop era. This Art in Context discussion will explore how contemporary female-identified United States Latinx artists\, critics\, and historians are constructing alternate art historical narratives and shifting the balance of power in the art world and beyond. Registration is required.  \n\nDoors open at 6:45 p.m.\nPlease note: For your safety and the safety of those around you\, all those attending this event must wear a face mask that covers both the nose and mouth. We reserve the right to require that those in attendance who do not follow safety guidelines or instructions from our staff will be asked to leave the premises. Failure to comply with this policy or rude or aggressive behavior will not be tolerated. Please see our Visitor Conduct Policy for more information.\nNotice for all buyers – By attending an in-person event at any of the Carnegie Museums of Pittsburgh\, you and any guests agree to voluntarily assume all risks related to exposure to COVID-19 and agree not to hold any presenting entities\, artists\, and the venue; or any of their affiliates\, directors\, officers\, employees\, agents\, contractors\, or volunteers liable for any illness or injury.\nPlease see our health and safety guidelines.\n\n 
URL:https://www.warhol.org/events/art-in-context-expanding-art-history/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Art in Context,Free and Reduced,Lectures and Discussions
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DTSTART;TZID=America/New_York:20211023T180000
DTEND;TZID=America/New_York:20211023T200000
DTSTAMP:20260622T032231
CREATED:20260422T183343Z
LAST-MODIFIED:20260422T185101Z
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SUMMARY:Counterbalance: Redefining the Archive
DESCRIPTION:In coordination with the exhibition Marisol and Warhol Take New York\, join us for a night of film\, conversation\, and music. Alisha Wormsley\, a Pittsburgh-based artist\, has curated a selection of experimental artist films to celebrate the often-overlooked place of female filmmakers in film history. Inspired by Marisol’s narrative of great acclaim during her lifetime and the subsequent erasure of her place from art history\, Wormsley selected films from six artists\, including Akosua Adoma Owusu\, Beatriz Santiago Muñoz\, Cauleen Smith\, Malakai\, Nan Collymore\, and Kite\, who are making important contributions to reimagining the archive and the advancement of experimental film. The evening includes an introduction from Jessica Beck\, Milton Fine curator of art and organizer of the exhibition\, an introduction to each film by Wormsley and a screening of each film. The night will conclude with music by Pittsburgh-based DJ\, Jessica Fuquay. Registration is required. \nFilms\nDrexciya\nAkosua Adoma Owusu\nSet in an abandoned swimming pool in Accra\, Ghana\, Akosua Adoma Owusu’s Drexciya draws on the myth from the Detroit-based electronic band to create an afrofuturist portrait of an underwater subcontinent populated by the unborn children of African women thrown overboard during the Transatlantic slave trade. The Riviera was once known as Ghana’s first pleasure beach. A one-time extravagant Ambassador Hotel of post- colonial – early Kwame Nkrumah era\, the Riviera Beach Club thrived until the mid-1970’s. The Olympic-sized pool\, now in a dilapidated state\, is used for locals for things other than swimming. \nMarché Salomon\nBeatriz Santiago Muñoz\nTwo young workers at a busy Port-au-Prince open-air market have a conversation about the mystical properties of common objects and whether the divine can inhabit any kind of object—mass-produced bottles\, toxic rivers\, beheaded goats. \nPilgrim\nCauleen Smith\nA live recording of an Alice Coltrane piano performance accompanied by a visual track that documents a pilgrimage across the USA taken by Cauleen Smith\, tracing historic sites of creativity and generosity that were an inspiration to her: Alice Coltrane’s Sai Anantam Ashram; the Watts Towers; and the Watervliet Shaker Historic District. \nSouls\nMalakai\nUnable to deal with her grandmother’s declining mental and physical health\, a young girl uses her cardboard spaceship to escape her reality before the matriarch of her family dies. \nFlâneuse\nNan Collymore\nGrounded in the idea of what Baudelaire described as the “flâneur”—here the shoe is used as a conceit for the true flâneur—the flâneuse—to use as a mode of transport. The shoe\, captured in both still and active moments\, is positioned as an emblematic symbol by which to decipher those elements and to discover the ground upon which those streets reside. \nPahá kiŋ lená wakháŋ\nKite \n“A light cone is the path that a flash of light\,\nFrom a single event\,\nTraveling in all directions\,\nTakes through spacetime. \nOn a two-dimensional plane\,\nThe light from the flash\nSpreads out in a circle.\nThese are all the points I ever reach\nAll points which are the speed of light away from me at birth.” \nMarisol and Warhol Take New York is presented by the Richard King Mellon Foundation and generously supported by the Terra Foundation for American Art\, Jim Spencer and Michael Lin\, Alice and Yaso Snyder and the WP Snyder Charitable Fund\, Dawn and Chris Fleischner\, and Highmark Blue Cross Blue Shield. Additional gratitude to friends of The Andy Warhol Museum. \n\nDoors open at 5:30 p.m.\nPlease note: Per CDC Guidelines\, for your safety and the safety of those around you\, all those attending this event must wear a face mask that covers both the nose and mouth. We reserve the right to require that those in attendance who do not follow safety guidelines or instructions from our staff will be asked to leave the premises. Failure to comply with this policy or rude or aggressive behavior will not be tolerated. Please see our Visitor Conduct Policy for more information.\nNotice for all buyers – By attending an in-person event at any of the Carnegie Museums of Pittsburgh\, you and any guests agree to voluntarily assume all risks related to exposure to COVID-19 and agree not to hold any presenting entities\, artists\, and the venue; or any of their affiliates\, directors\, officers\, employees\, agents\, contractors\, or volunteers liable for any illness or injury.\nPlease see our health and safety guidelines.
URL:https://www.warhol.org/events/counterbalance-redefining-the-archive/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions,Performance
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DTSTART;TZID=America/New_York:20211015T190000
DTEND;TZID=America/New_York:20211015T190000
DTSTAMP:20260622T032231
CREATED:20260422T154245Z
LAST-MODIFIED:20260422T154843Z
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SUMMARY:Reel Q LGBTQ+ Film Festival: Workhorse Queen
DESCRIPTION:Join us for the 36th annual Reel Q LGBTQ+ film festival at The Warhol! Reel Q is the longest running film festival in the Pittsburgh region and the sixth oldest LGBTQ+ film festival in the entire world.   \nWatch the award-winning documentary Workhorse Queen\, followed by a panel discussion with director Angela Washko\, stars Mrs. Kasha Davis\, Mr. Davis (Steven Levins)\, and Ambrosia Salad\, moderated by John Musser (Veronica Bleaus). The screening will be followed by a free reception with Jellyfish DJs\, a cash bar\, and live drag performances by The Hot Boys (Anna Azizzy\, Sienna Cittadino\, BB Kenda)\, Akasha L. Van Cartier\, Dixie Surewood\, Ambrosia Salad (Rochester)\, and Mrs. Kasha Davis (RuPaul’s Drag Race). \nAbout Workhorse Queen\nBy day\, Ed Popil worked as a telemarketer in Rochester\, New York for 18 years. By night\, he transformed into drag queen Mrs. Kasha Davis\, a 1960’s era housewife trying to liberate herself from domestic toil through performing at night in secret – a homage to Ed’s mother. After seven years of auditioning to compete on RuPaul’s Drag Race\, Ed Popil was finally cast onto the tv show and thrust into a full-time entertainment career at the late age of 44. In addition to following Popil’s life and career before and after being cast onto RuPaul’s Drag Race\, the film focuses on the growing divide between members of a small town drag community–those who have been on television\, and those who have not. \n\nDoors open at 6:45 p.m.\nPlease note: Per CDC Guidelines\, for your safety and the safety of those around you\, all those attending this event must wear a face mask that covers both the nose and mouth. We reserve the right to require that those in attendance who do not follow safety guidelines or instructions from our staff will be asked to leave the premises. Failure to comply with this policy or rude or aggressive behavior will not be tolerated. Please see our Visitor Conduct Policy for more information.\nNotice for all buyers – By attending an in-person event at any of the Carnegie Museums of Pittsburgh\, you and any guests agree to voluntarily assume all risks related to exposure to COVID-19 and agree not to hold any presenting entities\, artists\, and the venue; or any of their affiliates\, directors\, officers\, employees\, agents\, contractors\, or volunteers liable for any illness or injury.\nPlease see our health and safety guidelines.\n\n 
URL:https://www.warhol.org/events/reel-q-lgbtq-film-festival-workhorse-queen/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Lectures and Discussions,LGBTQ+,Performance,Social
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210728T130000
DTEND;TZID=America/New_York:20210728T130000
DTSTAMP:20260622T032231
CREATED:20260422T154238Z
LAST-MODIFIED:20260422T155308Z
UID:10001950-1627477200-1627477200@www.warhol.org
SUMMARY:Art in Context: Reconstructing Monuments
DESCRIPTION:How can public memorials become a vehicle for a more just future? Join us virtually for a timely discussion with artists and scholars considering monuments for a new era\, featuring Kambui Olujimi\, Tereneh Idia\, Bekezela Mguni\, and Dr. Patricia Eunji Kim\, moderated by Dr. Alaina E. Roberts.
URL:https://www.warhol.org/events/art-in-context-reconstructing-monuments/
LOCATION:Online\, United States
CATEGORIES:Art in Context,Lectures and Discussions,Virtual,Warhol Without Walls
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210326T180000
DTEND;TZID=America/New_York:20210326T190000
DTSTAMP:20260622T032231
CREATED:20260422T154238Z
LAST-MODIFIED:20260422T155704Z
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SUMMARY:Lit Fridays with Nona Faustine
DESCRIPTION:Lit Fridays is a literary-focused\, virtual salon presented by The August Wilson African American Cultural Center\, featuring conversations and guest performances on the last Friday of each month. \nNona Faustine is a native New Yorker and award winning photographer. In 2019 she was distinguished with the New York Foundation Arts award in Photography\, BRIC Colene Brown Art Prize\, Anonymous Was A Woman Award\, and was a Finalist in the Smithsonian National Portrait Gallery Outwin Boochever Competition. Her work focuses on history\, identity and representation\, evoking a critical and emotional understanding of the past and proposes a deeper examination of contemporary racial and gender stereotypes. Faustine’s My Country series will be on view from March 5–August 30\, 2021 in The Warhol’s Fantasy America exhibition. Fantasy America invites artists Nona Faustine\, Kambui Olujimi\, Pacifico Silano\, Naama Tsabar\, and Chloe Wise to revisit Andy Warhol’s publication America (1985) and contribute through their own artistic practices. Each of these five artists produces work that offers a complex picture of contemporary American life.
URL:https://www.warhol.org/events/lit-fridays-with-nona-faustine/
LOCATION:Online\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions,Virtual,Warhol Without Walls
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201208T140000
DTEND;TZID=America/New_York:20201208T141500
DTSTAMP:20260622T032231
CREATED:20260422T154238Z
LAST-MODIFIED:20260422T155944Z
UID:10001963-1607436000-1607436900@www.warhol.org
SUMMARY:Reflections on Warhol with Hilton Als: A Conversation with Milton Fine Curator Jessica Beck
DESCRIPTION:Acclaimed writer and critic Hilton Als will speak with Milton Fine Curator of Art Jessica Beck on his writing\, research\, and reflections on Andy Warhol. The lively conversation will cover areas of Al’s research including his new book on the AIDS crisis of the 1980s\, his ongoing Andy Warhol: The Series\, and his previously published essays on Warhol’s relationship with Jean Michel-Basquiat. \nAbout Hilton Als\nHilton Als began contributing to The New Yorker in 1989\, writing pieces for ‘The Talk of the Town’. He became a staff writer in 1994\, theatre critic in 2002\, and lead theater critic in 2012. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre\, race\, class\, sexuality\, and identity in America. He is currently working on a new book titled I Don’t Remember (Penguin\, early 2021)\, a book length essay on his experiences in AIDS era New York. \nBefore starting at The New Yorker\, Als was a staff writer for the Village Voice and an editor- at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition Black Male: Representations of Masculinity in Contemporary American Art. His first book\, The Women\, was published in 1996. His book\, White Girls\, a finalist for the National Book Critics Circle Award in 2014 and winner of the 2014 Lambda Literary Award for Non-fiction\, discusses various narratives of race and gender. He wrote the introduction to the Penguin Classics edition of The Early Stories of Truman Capote\, and was guest editor for the 2018 Best American Essays. He wrote Andy Warhol: The Series\, a book containing two previously unpublished television scripts for a series on the life of Andy Warhol. His in-progress debut play\, Lives of the Performers\, has been performed at Carolina Performing Arts and LAXART in Los Angeles. He also wrote Edna Lewis a work that will be performed by Carolina Performing Arts in February 2020. \nIn 1997\, Als was selected by the New York Association of Black Journalists for first prize for Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016\, he received the Lambda Literary’s Trustee Award for Excellence in Literature\, as well as the Windham Campbell Prize for Nonfiction. In 2017\, Als won the Pulitzer Prize for Criticism\, and in 2018 the Langston Hughes Medal. In 2020 he was named an inaugural Presidential Visiting Scholar at Princeton University for the 2020-21 academic year. \nAls is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University\, Wesleyan\, and Smith College. He lives in New York City. \nAbout Jessica Beck\nJessica Beck is the Milton Fine Curator of Art at The Warhol. She has curated many projects including: Andy Warhol: My Perfect Body in 2016 and Devan Shimoyama: Cry\, Baby in 2018—the artist’s first solo museum exhibition\, which debuted at The Warhol to great acclaim from The New York Times and The Burlington Contemporary. In 2019\, she co-curated Kim Gordon’s first museum solo exhibition in North America\, Kim Gordon: Lo-Fi Glamour. She is currently at work on a major exhibition of the friendship\, partnership\, and working relationship between Marisol Escobar and Andy Warhol to debut at The Warhol in fall of 2021 and travel to the Pérez Art Museum Miami in 2022. Beck has published widely with The Whitney Museum of American Art\, The Cantor Center for the Arts\, Gagosian Quarterly\, and Burlington Magazine. In 2017 and 2018\, Beck served as the visiting scholar at Carnegie Mellon School of Art\, where she taught critical studies and thesis writing seminars. She completed her MA with distinction from the Courtauld Institute of Art.
URL:https://www.warhol.org/events/reflections-on-warhol-with-hilton-als-a-conversation-with-milton-fine-curator-jessica-beck/
LOCATION:Online\, United States
CATEGORIES:Lectures and Discussions,Virtual,Warhol Without Walls
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DTSTART;TZID=America/New_York:20200922T173000
DTEND;TZID=America/New_York:20200922T190000
DTSTAMP:20260622T032231
CREATED:20260422T145519Z
LAST-MODIFIED:20260422T150133Z
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SUMMARY:School of Drag 2020 Panel
DESCRIPTION:Join us for a dynamic multimedia exploration of the impact and importance of our School of Drag program and other LGBTQ+-affirming spaces for youth performers. Presented in conjunction with our Femme Touch exhibition\, this panel event brings together educators and students to illustrate the ways that gender-based performance can help teens forge connections from their own homes. Instructors Akasha L. Van Cartier and Morrigana Regina\, veteran teen performer E! The Dragnificent\, and others\, will discuss the history\, practice\, and culture of drag as a positive space for self-expression with video examples. \nPlease note: This will be a live online program. Register to receive a web link and login instructions.
URL:https://www.warhol.org/events/school-of-drag-2020-panel/
LOCATION:PA
CATEGORIES:Free and Reduced,Lectures and Discussions,LGBTQ+,Virtual
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2020/08/09222020-School-of-Drag-Panel-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200916T140000
DTEND;TZID=America/New_York:20200916T141500
DTSTAMP:20260622T032231
CREATED:20260422T145519Z
LAST-MODIFIED:20260422T150332Z
UID:10001924-1600264800-1600265700@www.warhol.org
SUMMARY:Studio Visit with Artist Kambui Olujimi
DESCRIPTION:Join us for a dynamic studio visit and conversation with artist Kambui Olujimi and our Chief Curator José Carlos Diaz. They will discuss Olujimi’s recent work\, new projects\, and his upcoming exhibitions\, including Fantasy America.  \nPlease note: This will be a live online program and will have live captioning provided. Register to receive a web link and login instructions. \nRegistration ends on Wednesday\, September 16 at 1 p.m. \nAbout the artist:\nKambui Olujimi was born and raised in Bedford-Stuyvesant\, Brooklyn. He received his MFA from Columbia University and attended Skowhegan School of Painting and Sculpture. His work challenges established modes of thinking that commonly function as “inevitabilities”. This pursuit takes shape through interdisciplinary bodies of work spanning sculpture\, installation\, photography\, writing\, video\, and performance. His works have premiered nationally and internationally at Sundance Film Festival\, Museum of Modern Art\, Mass MoCA\, Museo Nacional Reina Sofia\, and Kunsthal Rotterdam\, among others. Olujimi has been awarded fellowship and residencies from Black Rock Senegal\, the Robert Rauschenberg Foundation\, and The MacDowell Colony.
URL:https://www.warhol.org/events/studio-visit-with-artist-kambui-olujimi/
LOCATION:Online\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions,Virtual,Warhol at Home
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DTSTART;TZID=America/New_York:20200728T140000
DTEND;TZID=America/New_York:20200728T150000
DTSTAMP:20260622T032231
CREATED:20260422T145519Z
LAST-MODIFIED:20260422T151120Z
UID:10001931-1595944800-1595948400@www.warhol.org
SUMMARY:Femme Touch: The Bennett Collection of Women Realists Discussion
DESCRIPTION:Join us virtually as Patrick Moore\, director of The Warhol\, interviews Steven Alan Bennett and Dr. Elaine Melotti Schmidt\, Founders of The Bennett Collection of Women Realists\, about their collection and its relationship to our new exhibition\, Femme Touch. The webinar will also feature remarks from Jose Carlos Diaz\, chief curator of The Warhol\, on how the exhibition was organized and its importance to Warhol scholarship. \nPlease note: This will be a live online program. \nRegistration ends on Tuesday\, July 28 at 1:30 p.m.
URL:https://www.warhol.org/events/femme-touch-the-bennett-collection-of-women-realists-discussion/
LOCATION:Online\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions,Virtual
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200714T190000
DTEND;TZID=America/New_York:20200714T210000
DTSTAMP:20260622T032231
CREATED:20260422T145519Z
LAST-MODIFIED:20260422T151256Z
UID:10001932-1594753200-1594760400@www.warhol.org
SUMMARY:Art in Context: Women’s Work
DESCRIPTION:Join us for a dynamic artists’ talk and virtual conversation presented in conjunction with Femme Touch\, our new exhibition centering the untold stories of women and femmes who influenced Andy Warhol. The panel will feature Naomi Chambers\, Christiane Dolores\, Christina Lee\, and Angela Washko\, artists actively making space for women and feminist perspectives to thrive in Pittsburgh’s arts community and beyond. The discussion\, moderated by Andréa Stanford\, will explore the unique challenges and opportunities facing women in the arts\, as well as the ways that the changing context of the pandemic and the unprecedented national and global movement for racial justice have impacted women in our community.  \nPlease note: This will be a live online program. Register to receive a web link and login instructions. \nRegistration ends on Tuesday\, July 14 at 5 p.m. \nAbout the panelists: \nNaomi Chambers is a Pittsburgh-based painter and assemblage artist; she also runs The Flower House in the Pittsburgh neighborhood of Wilkinsburg. The Flower House is a creative space cultivated by group-centered artists who practice cooperative economics to empower women and families. She is helping to lead the launch of Sybil’s Shrine\, a new Hill District-based residency program that will offer technical and professional development opportunities for black mothers who identify as artists\, creatives and activists. \nChristiane Dolores is a multi-platform\, multi-disciplinary artist employing sound\, vision\, text\, and performance as storytelling tools creating radical\, controversial cultural engagements. At the root of her practice are questions about our humanity as she rewrites new mythologies. The questions emerge from political\, cultural\, natural\, and sensual experiences acting as her muse\, dictating the medium and discipline of her work. She received the Pittsburgh Business Times Women First award in 2017. She is the winner of a 2010 August Wilson Center Fellowship; received a grant in 2011 from Advancing the Black Arts to market her second solo release\, Amor Fati; a 2007 honoree at the New Hazlett Theatre “Celebrating Women in the Arts”; a 2003 winner of the Pennsylvania Council for the Arts Fellowship for World/Jazz/Blues musical composition; and a 2002 Pittsburgh Magazine “40 under 40” award winner. She received funding from Sprout for two MiniM Music Festivals for the Blues and Jazz genres and for Listen to This\, featuring poetess Ursula Rucker; a commission from Pittsburgh Foundation to write her first play\, Saffronia; funding from Multi-Cultural Arts Initiative to produce Saffronia: the Mulatto Slave\, which came in 2nd place at the Trinidad Theater Festival\, in 2016. \nChristina Lee is a Korean-American illustrator\, zinemaker\, printmaker\, designer\, and animator who has been a working artist since she graduated from Carnegie Mellon’s School of Art undergraduate program in 2014. Some of her illustration clients include NPR\, Teen Vogue\, Them\, PublicSource\, American Greetings\, and Penguin Books. In 2016\, Christina was selected by Printed Matter to be an artist-in-residence at the Ace Hotel Pittsburgh\, and in 2018\, was 1 of the 22 young creatives named “Who’s Next: Art” by The Incline. Through she most strongly identifies as an illustrator\, she has started to develop her curatorial practice by organizing the Pittsburgh Zine Fair and group exhibitions at Future Tenant and PULLPROOF Studio. She seeks to highlight underrepresented people\, specifically female and non-binary artists\, through her curatorial projects. \nAngela Washko is an artist devoted to creating new forums for discussions about feminism in a variety of forms and contexts. A recipient of the Creative Capital Award\, Indiecade Impact Award\, and the Franklin Furnace Performance Fund\, Washko’s practice has been highlighted in The New Yorker\, Time Magazine\, The Guardian\, ArtForum\, Art in America and more. Her projects have been presented at venues including Museum of the Moving Image\, Kiasma Museum of Contemporary Art\, Los Angeles Museum of Contemporary Art\, Milan Design Triennale\, and the Rotterdam International Film Festival. Angela Washko is an Associate Professor of Art at Carnegie Mellon University. \nAbout the moderator: \nAndréa Stanford vice president\, Pittsburgh regional manager at BNY Mellon\, works closely with the chairman of BNY Mellon of Pennsylvania to oversee the firm’s employee and community engagement\, communications and government affairs activities. Previously\, Andréa worked for Allegheny County as assistant county manager and senior advisor to the county’s Department of Human Services. During her tenure\, Andréa worked across federal\, state and local government to lead major initiatives\, including the region’s preparation for the 2020 Census. Prior to her work in the public sector\, Andréa managed digital strategy and media relations efforts at PNC Financial Services\, Inc. and UPMC\, respectively. She volunteers with local nonprofit organizations in the Pittsburgh region and serves on the boards of directors for the YWCA Greater Pittsburgh; the YMCA of Greater Pittsburgh; and the Women and Girls Foundation of Southwestern PA.
URL:https://www.warhol.org/events/art-in-context-womens-work/
LOCATION:Online\, United States
CATEGORIES:Art in Context,Lectures and Discussions,Virtual
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200515T190000
DTEND;TZID=America/New_York:20200515T191500
DTSTAMP:20260622T032231
CREATED:20260421T184912Z
LAST-MODIFIED:20260421T185054Z
UID:10001894-1589569200-1589570100@www.warhol.org
SUMMARY:Warhol by Blake Gopnik Talk and Book Launch
DESCRIPTION:Join Warhol at Home for an online presentation with esteemed art critic Blake Gopnik as he presents his new biography Warhol. \nGopnik conducted extensive research in The Warhol archives to craft a fascinating account that takes on Andy Warhol in all his depth and dimensions. Wide-ranging and immersive\, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today. \nGopnik is a regular contributor to The New York Times and has been staff art critic at The Globe and Mail\, The Washington Post\, and Newsweek\, as well as critic-at-large for Artnet News. In 2015 he held a fellowship at the Leon Levy Center for Biography at City University of New York. He has a Ph.D. in art history from Oxford University and worked on Warhol during his Cullman Center Fellowship in 2017-2018. \nFollowing the online presentation\, at 7:45 p.m. EDT this day\, Blake Gopnik will host a Q & A session via Twitter. To participate\, tweet Blake at @BlakeGopnik with your question and #warholQandA. \nBookplate-signed copies of Warhol are available for purchase from The Warhol Store for $45. While we’re temporarily closed at this time\, The Warhol Store is still able to take and ship orders. To place an order contact store@warhol.org. \nPlease note: This will be a pre-recorded video lecture. Those who register will be sent a weblink to access the program on Friday\, May 15 at 7 p.m.
URL:https://www.warhol.org/events/warhol-by-blake-gopnik-talk-and-book-launch/
LOCATION:Online\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions,Virtual,Warhol at Home
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2020/03/Warhol-book.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200109T190000
DTEND;TZID=America/New_York:20200109T210000
DTSTAMP:20260622T032231
CREATED:20260421T184900Z
LAST-MODIFIED:20260421T190210Z
UID:10001915-1578596400-1578603600@www.warhol.org
SUMMARY:Revelation: A Conversation on Andy Warhol and Religion
DESCRIPTION:Over the course of a prominent and prolific career\, Andy Warhol both pictured religious subjects and practiced his religious faith. Yet in 20th century histories of modern American art\, religion is largely excluded. Warhol was perhaps doubly excluded\, as a gay man\, and a believing Christian\, whose identity in the art world and in American society was made complicated by those identities. \nThis conversation between Erika Doss\, professor of American studies at the University of Notre Dame\, and Paula Kane\, professor of religious studies at the University of Pittsburgh\, considers what religion meant to Warhol\, how his religious beliefs shaped and directed his art\, and why religion “matters” in the history of American modernism.  \nRegistration is required. \nDoors open at 6 p.m. \nPresented in conjunction with the exhibition Andy Warhol: Revelation.
URL:https://www.warhol.org/events/revelation-a-conversation-on-andy-warhol-and-religion/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191125T193000
DTEND;TZID=America/New_York:20191125T194500
DTSTAMP:20260622T032231
CREATED:20260421T154447Z
LAST-MODIFIED:20260421T154633Z
UID:10001845-1574710200-1574711100@www.warhol.org
SUMMARY:An Evening with Reza Aslan
DESCRIPTION:Reza Aslan is an internationally renowned writer\, commentator\, professor\, producer\, and scholar of religions. In God: A Human History\, he thoughtfully explores the history of religion as an attempt to understand the divine by giving God human traits and emotions. In layered prose and with accessible scholarship\, Aslan cohesively roots out this humanizing impulse in order to develop a more universal spirituality. \nAslan’s books\, including his #1 New York Times Bestseller Zealot\, have been translated into dozens of languages. He is a recipient of the prestigious James Joyce Award\, a tenured Professor of Creative Writing at the University of California\, Riverside and serves on the board of trustees for the Chicago Theological Seminary and The Yale Humanist Community. Born in Iran\, he lives in Los Angeles with his wife\, author and entrepreneur\, Jessica Jackley\, and their three sons. \nJoin us in the Music Hall Foyer after the lecture to get your book signed or personalized. White Whale Bookstore will have books for sale. \nPresented in conjunction with the exhibition Andy Warhol: Revelation. \n\nDoors open at 7 p.m.\n\n 
URL:https://www.warhol.org/events/an-evening-with-reza-aslan/
LOCATION:Carnegie Music Hall (Oakland)\, 4400 Forbes Avenue\, PA\, 15213\, United States
CATEGORIES:Lectures and Discussions
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GEO:40.4433413;-79.9509942
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall (Oakland) 4400 Forbes Avenue PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Avenue:geo:-79.9509942,40.4433413
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190912T190000
DTEND;TZID=America/New_York:20190912T191500
DTSTAMP:20260622T032231
CREATED:20260421T163726Z
LAST-MODIFIED:20260421T164619Z
UID:10001878-1568314800-1568315700@www.warhol.org
SUMMARY:A is for Archive Book Release
DESCRIPTION:Andy Warhol remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small\, ordinary and quirky. Join us to celebrate the newly released publication\, A is for Archive\, featuring curated selections from Matt Wrbican (1959–2019)\, who was the foremost authority of Warhol’s personal collection. The new book sheds light on the artist’s work and motivations\, as well as on his personality and private life. Over 2\,400 objects were newly cataloged and photographed\, in the process of creating this book. 420 illustrations were carefully chosen\, many of which appear in print for the first time. The book also features an insightful essay by renowned art critic and Warhol biographer Blake Gopnik\, as well as author of the Andy Warhol Catalogue Raisonné\, Neil Printz.  \nThis hour-long event will begin with an introduction to the project by Abby Franzen-Sheehan\, director of publications at The Warhol\, followed by a discussion with Warhol scholar\, Blake Gopnik and Erin Byrne\, The Warhol’s archivist. They will discuss a breadth of subjects covered in A is for Archive\, including the book’s place among Warhol scholarship\, and how working with the archival collection has informed Gopnik’s upcoming biography of Warhol. Objects from the book will be presented throughout the discussion offering audiences the rare experience of seeing the pages of the book come to life.   \n\nDoors open at 6 p.m.\n\n 
URL:https://www.warhol.org/events/a-is-for-archive-book-release/
LOCATION:Carnegie Lecture Hall (Oakland)\, 4400 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190529T193000
DTEND;TZID=America/New_York:20190529T194500
DTSTAMP:20260622T032231
CREATED:20260421T154438Z
LAST-MODIFIED:20260421T154923Z
UID:10001850-1559158200-1559159100@www.warhol.org
SUMMARY:In Conversation with Artist Mickalene Thomas and Jose Diaz\, Chief Curator
DESCRIPTION:In partnership with The Westmoreland Museum of American Art\, we present a conversation exploring the artistic practices and the thematic and stylistic similarities between the work of Mickalene Thomas and Andy Warhol. Join us to learn more about Thomas’ Shug Kisses Celie\, one of the newest works to enter The Westmoreland’s collection\, as well as Thomas’ and Warhol’s use of imagery appropriated from popular culture and art history. \nFree parking available in The Westmoreland lot. \nDoors open at 7:00 p.m.
URL:https://www.warhol.org/events/in-conversation-with-artist-mickalene-thomas-and-jose-diaz-chief-curator/
LOCATION:The Westmoreland Museum of American Art (Greensburg)\, 221 N. Main Street\, Greensburg\, PA\, 15601\, United States
CATEGORIES:Lectures and Discussions
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GEO:40.305996;-79.5450271
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Westmoreland Museum of American Art (Greensburg) 221 N. Main Street Greensburg PA 15601 United States;X-APPLE-RADIUS=500;X-TITLE=221 N. Main Street:geo:-79.5450271,40.305996
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T190000
DTEND;TZID=America/New_York:20190517T191500
DTSTAMP:20260622T032231
CREATED:20260421T154447Z
LAST-MODIFIED:20260421T154621Z
UID:10001844-1558119600-1558120500@www.warhol.org
SUMMARY:The Artist Up Close: Kim Gordon with Rachel Kushner
DESCRIPTION:Kim Gordon discusses her work\, career\, and practice with bestselling author\, friend\, and collaborator\, Rachel Kushner. This event serves as an opening dialogue for the exhibition\, Kim Gordon: Lo-Fi Glamour. \nKim Gordon studied at the Otis College of Art and Design in Los Angeles in the late 1970s. Her first solo exhibition\, Design Office\, took place at New York’s White Columns in 1981. For the past thirty years\, Gordon has worked consistently across disciplines and across distinct cultural fields: art\, design\, writing\, fashion (X-Girl)\, music (Sonic Youth\, Free Kitten\, Body/Head)\, and film/video (both as actress and director).  \nRachel Kushner is the bestselling author of The Flamethrowers\, a finalist for the National Book Award\, and the New York Times Top Ten Books of 2013; Telex from Cuba\, a finalist for the National Book Award; and The Mars Room. Kushner’s fiction has appeared in the New Yorker\, Harper’s\, and the Paris Review. She lives in Los Angeles. \n\nPlease note that seating is first come\, first served.\nDoors open at 6:30 p.m.
URL:https://www.warhol.org/events/the-artist-up-close-kim-gordon-with-rachel-kushner/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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GEO:40.4483755;-80.0024907
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Warhol theater 117 Sandusky Street Pittsburgh PA 15212 United States;X-APPLE-RADIUS=500;X-TITLE=117 Sandusky Street:geo:-80.0024907,40.4483755
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190314T190000
DTEND;TZID=America/New_York:20190314T191500
DTSTAMP:20260622T032231
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T192503Z
UID:10001808-1552590000-1552590900@www.warhol.org
SUMMARY:The Artist Up Close: Devan Shimoyama
DESCRIPTION:Catalogue contributors\, Jessica Beck\, Emily Colucci\, Alex Fialho\, and Rickey Laurentiis\, talk with Devan Shimoyama about his work and practice. This event serves as a closing dialogue for the exhibition\, Devan Shimoyama: Cry\, Baby\, and offers a chance for the community to respond and meet the artist. Shimoyama and authors will be available to sign copies of the exhibition catalogue\, which will be for sale in The Warhol Store. \nJessica Beck is the Milton Fine Curator of Art at The Andy Warhol Museum. Beck has curated many projects\, including Andy Warhol: My Perfect Body\, the first exhibition to explore the complexities of beauty\, pain\, and perfection in Warhol’s practice. In 2017\, she brought the Firelei Báez: Bloodlines exhibition to the Warhol\, and in 2018 organized the exhibition catalogue and curated Devan Shimoyama’s first museum show\, Devan Shimoyama: Cry\, Baby. As a Warhol scholar\, she has written extensively on Warhol’s 1980s paintings\, the AIDs epidemic\, the representation of intimacy in Warhol’s contact sheets\, and his relationship with the late Jon Gould. Her writings on Warhol have been published in Gagosian Quarterly\, the Whitney Museum of American Art’s retrospective catalogue\, Andy Warhol—From A to B and Back Again\, and the Cantor Center for the Visual Arts’ publication\, Contact Warhol: Photography Without End. Beck began her scholarly work on Warhol at the University of Chicago where she received her B.A. in Art History\, and continued her engagement with Warhol and identity politics through her graduate studies at the Courtauld Institute of Art\, where she wrote her dissertation on Glenn Ligon’s work and its relationship to Warhol’s practice.  Beck completed her M.A. with Distinction. Beck also serves as a visiting scholar in the School of Art at Carnegie Mellon University. \nEmily Colucci is a writer\, curator\, and co-founder of Filthy Dreams\, an award-winning blog analyzing art\, culture\, and politics through a queer lens and with a touch of camp. In 2016\, she was awarded an Andy Warhol Foundation Arts Writers Grant for Filthy Dreams. In addition\, Emily has contributed to many publications and magazines including VICE\, Salon\, The Los Angeles Review of Books\, POZ\, Flaunt\, Art Papers\, Art F City\, and others. In 2017\, she curated Night Fever\, a group on disco and its aesthetic legacy at the Pittsburgh art space\, Future Tenant; and in 2015\, she co-curated Visual AIDS’s annual exhibition\, Party Out Of Bounds: Nightlife As Activism Since 1980 at LaMaMa Galleria in New York\, and its satellite exhibition\, Courtship Disorder\, which featured an installation by John Walter for London’s White Cubicle Toilet Gallery. \nAlex Fialho is a curator and arts writer based in New York. He is a frequent contributor to Artforum\, and the Programs Director for Visual AIDS\, where he facilitates projects around both the history and immediacy of the ongoing HIV/AIDS epidemic\, with particular stakes intervening against the widespread whitewashing of HIV/AIDS cultural narratives. Together with Melissa Levin\, Fialho manages The Michael Richards Estate and has curated multiple exhibitions stewarding the legacy of Richards’ art\, life and legacy. Fialho has presented his research on the art of Glenn Ligon and Keith Haring at the College Art Association and NYU Fales Library. His extensive oral histories with Ron Athey\, Gregg Bordowitz\, Nayland Blake\, Douglas Crimp\, Lia Gangitano\, Nan Goldin\, Lyle Ashton Harris\, Bill Jacobson\, Patrick Moore\, Jack Pierson\, Joey Terrill\, Julie Tolentino\, Marguerite Van Cook\, Jack Waters and Carrie Yamaoka are part of the Smithsonian Archives of American Art’s Visual Arts and the AIDS Epidemic Oral History Project. \nPoet Rickey Laurentiis was raised in New Orleans\, Louisiana and is the author of Boy with Thorn (2015). Laurentiis is the winner of the Cave Canem Poetry Prize\, the Levis Reading Prize\, and was a finalist for the Kate Tufts Discovery Award. His other honors include fellowships from the Whiting Foundation\, the Lannan Literary Foundation\, the National Endowment for the Arts\, the Civitella Ranieri Foundation\, and the Poetry Foundation. His poem\, “Visible City\,” opened Notes for Now\, the catalogue for Prospect.3 New Orleans\, curated by Franklin Sirmans. Laurentiis currently lives in Pittsburgh\, and is as the inaugural Fellow in Creative Writing at the Center for African American Poetry and Poetics at the University of Pittsburgh. \nDevan Shimoyama was born in Philadelphia in 1989 and lives and works in Pittsburgh\, Pennsylvania. He received his BFA in drawing and painting from Pennsylvania State University in 2011\, and his MFA from Yale University School of Art in 2014. Shimoyama has exhibited widely at galleries throughout the United States\, including New York’s De Buck Gallery\, Lesley Heller Gallery\, and Bravin Lee Programs; Samuel Freeman Gallery in Los Angeles; Alter Space in San Francisco; and Emmanuel Gallery in Denver. His work was also included in Realities in Contemporary Video Art at the Fondation des Etats Unis\, in Paris in 2015. In 2019\, Holland Cotter selected Shimoyama as one of the the New York Times’ “19 Artists to Watch\,” His work has been written about in The Los Angeles Times\, New American Paintings\, Pinwheel\, the blog Filthy Dreams\, and Saatchi Art. In 2016\, Shimoyama was named the winner of the Miami Beach PULSE Prize at PULSE Miami Beach. He is currently represented by De Buck Gallery in New York\, and is the Cooper-Siegel Assistant Professor of Art in the School of Art at Carnegie Mellon University.
URL:https://www.warhol.org/events/the-artist-up-close-devan-shimoyama/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181130T190000
DTEND;TZID=America/New_York:20181130T191500
DTSTAMP:20260622T032231
CREATED:20260421T140159Z
LAST-MODIFIED:20260421T141504Z
UID:10001831-1543604400-1543605300@www.warhol.org
SUMMARY:Art in Context: Visibility and Erasure
DESCRIPTION:In 1974 Andy Warhol completed his most lucrative commission—Ladies and Gentlemen\, a series of over 200 striking portraits of African American and Latina drag queens and trans women. The subjects received just $50 to sit for Polaroids in Warhol’s studio\, and they were not named when the work debuted in Italy in 1975. Now over 40 years later researchers at The Andy Warhol Foundation for the Visual Arts have successfully identified all of Warhol’s subjects in the series\, including iconic transgender performer and activist\, Marsha ‘Pay it No Mind’ Johnson.\n\nJoin us for Happy Birthday\, Marsha! followed by a discussion about visibility\, representation\, and authorship with filmmakers Tourmaline and Sasha Wortzel\, moderated by local advocate Ciora Thomas. Happy Birthday\, Marsha! imagines iconic transgender performer and activist\, Marsha ‘Pay it No Mind’ Johnson in the hours before the 1969 anti-policing riots at the Stonewall Inn in New York City. Starring Independent Spirit Award Winner Mya Taylor with cinematography by Arthur Jafa\, Happy Birthday\, Marsha! blends documentary storytelling with historical fiction to counter the endemic erasure of trans women of color from narratives of political resistance.
URL:https://www.warhol.org/events/art-in-context-visibility-and-erasure/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Art in Context,Free and Reduced,Lectures and Discussions,LGBTQ+
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2018/09/HBDM_5.jpg
GEO:40.4483755;-80.0024907
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Warhol theater 117 Sandusky Street Pittsburgh PA 15212 United States;X-APPLE-RADIUS=500;X-TITLE=117 Sandusky Street:geo:-80.0024907,40.4483755
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181026T190000
DTEND;TZID=America/New_York:20181026T191500
DTSTAMP:20260622T032231
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T193039Z
UID:10001812-1540580400-1540581300@www.warhol.org
SUMMARY:Shop Talk: Kleaver Cruz and Devan Shimoyama discuss Black Joy\, Masculinity\, and Barbershops
DESCRIPTION:Kleaver Cruz brings The Black Joy Project to Pittsburgh. For one week in October\, Cruz will explore black spaces in Pittsburgh\, take portraits\, and conduct conversations regarding Black joy. As a culmination of his residency\, he will speak with artist Devan Shimoyama and community members about navigating black barbershops and the complex experience of being queer in these spaces. The event will be followed by a late-night dance party in the museum entrance space with a local DJ and a live performance by Pittsburgh-based performer\, Brendon Hawkins. This event is organized by Jessica Beck\, the Milton Fine curator of art at The Warhol in collaboration with Rickey Laurentiis the inaugural Fellow in Creative Writing at the Center for African American Poetry and Poetics.\n\nKleaver Cruz\, a native of New York\, is a writer and creator of The Black Joy Project\, a digital and real-world movement\, which centers Black joy as a form of resistance. Cruz is a member of “We Are All Dominican\,” a grassroots collective that amplifies voices and supports the work of Dominicans of Haitian descent and Haitian migrants in the Dominican Republic. His work has been featured in La Galería and African Voices magazines and Vibe.com and The Huffington Post. Cruz is part of the poetic duo\, The Delta\, which has performed at The Nuyorican Poet’s Café and Bowery Poetry Club. Cruz has presented and conducted his work across the African Diaspora in South Africa\, France\, and Brazil.
URL:https://www.warhol.org/events/shop-talk-kleaver-cruz-and-devan-shimoyama/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181025T190000
DTEND;TZID=America/New_York:20181025T191500
DTSTAMP:20260622T032231
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T193059Z
UID:10001813-1540494000-1540494900@www.warhol.org
SUMMARY:The Black Ecstatic: An Evening of Poetry & Film
DESCRIPTION:Three contemporary black poets\, Airea D. Matthews\, Roger Reeves\, and Safiya Sinclair\, and filmmaker Jamal T. Lewis will consider how “the ecstatic” functions in their artistic work and personal lives\, within the context of the contemporary moment\, where attention to black political and social life emphasizes death and unjustifiable violence. The program\, which will include poetry performances\, a brief film screening\, and discussion\, is organized and moderated by Rickey Laurentiis\, the inaugural Fellow in Creative Writing at Center for African American Poetry and Poetics. This program is presented in conjunction with our Devan Shimoyama: Cry\, Baby exhibition\, curated by Jessica Beck\, the Milton Fine curator of art at The Warhol.\n\nFounded in 2016\, Center for African American Poetry (CAAPP) at the University of Pittsburgh is a creative think tank for African American and African diasporic poetries and poetics whose mission is to highlight\, promote\, and share the poetry and poetic work of African American writers. The center’s programming aims to present exciting live poetry and conversation\, contextualize the meaning of that work\, and archive it for future generations\, while also operating as space for innovative collaboration between writers\, scholars\, and other artists thinking through poetics as a unique and contemporary movement. \nRickey Laurentiis was raised in New Orleans\, Louisiana\, and is the author of Boy with Thorn (2015)\, which won the Cave Canem Poetry Prize\, the Levis Reading Prize\, and was a finalist for the Kate Tufts Discovery Award. Other honors include fellowships from the Whiting Foundation\, the Lannan Literary Foundation\, the National Endowment for the Arts\, the Civitella Ranieri Foundation\, and the Poetry Foundation. Laurentiis’ poem\, “Visible City\,” opened Notes for Now\, the catalogue for Prospect.3 New Orleans\, curated by Franklin Sirmans. Laurentiis currently lives in Pittsburgh\, and is the inaugural Fellow in Creative Writing at the Center for African American Poetry and Poetics at the University of Pittsburgh. \nJamal T. Lewis\, b. 1990\, is an emerging multidisciplinary artist\, writer\, and documentary filmmaker. Lewis resides in Bedstuy\, Brooklyn\, and hails from Atlanta\, Georgia. Named by Teen Vogue as one of the “coolest queers on the internet\,” Lewis is also known as ‘fatfemme’\, a moniker that encapsulates life at the intersection of fat and femme identity — “spaces that people are afraid to occupy\,” she names. A graduate of Morehouse College and The New School\, Lewis produces work around the body\, specifically exploring and interrogating identity formation\, race\, gender\, sexuality\, desire\, beauty\, and ugliness. Lewis’s work has been featured in LA Times and New York Times. \nAirea D. Matthews’ first collection of poems\, Simulacra\, received the 2016 Yale Series of Younger Poets Award (Yale University Press\, 2017). Her work has appeared in Best American Poets 2015\, American Poets\, Four Way Review\, The Indiana Review\, Michigan Quarterly Review\, and elsewhere. She was awarded a 2016 Rona Jaffe Writer’s Foundation Award\, the 2016 Louis Untermeyer Scholarship from Bread Loaf Writers’ Conference\, a 2015 Kresge Literary Arts award as well as fellowships from Cave Canem\, Callaloo\, and the James Merrill House. She received her B.A. in Economics from the University of Pennsylvania\, her M.P.A. from the University of Michigan\, and her M.F.A. from the University of Michigan Helen Zell Writers’ Program. Matthews is working on her second poetry collection\, under/class\, which explores the behavioral and cultural ramifications of poverty. She lives in Detroit\, Michigan\, with her husband and four children. \nRoger Reeves received an M.F.A. in creative writing and a Ph.D. in English from the University of Texas\, Austin. His poems have appeared in Poetry\, Ploughshares\, American Poetry Review\, Boston Review\, Tin House\, Best American Poetry\, and the Indiana Review\, among other publications\, and he was included in Best New Poets 2009. Reeves was awarded a Ruth Lilly Fellowship from the Poetry Foundation in 2008; he is also the recipient of two Bread Loaf Scholarships and a Cave Canem Fellowship. In 2012\, Reeves received a National Endowment for the Arts Fellowship and a Pushcart Prize for his poem “The Field Museum.” He is an Assistant Professor of Poetry at the University of Illinois\, Chicago\, and a 2014–2015 Hodder Fellow at the Lewis Center for the Arts\, Princeton University. King Me (Copper Canyon Press\, 2013) is Reeves’s first book. \nSafiya Sinclair was born and raised in Montego Bay\, Jamaica. She is the author of Cannibal\, winner of a Whiting Writers’ Award\, the American Academy of Arts and Letters Addison M. Metcalf Award\, the OCM Bocas Prize for Caribbean Poetry\, the Phillis Wheatley Book Award\, the Prairie Schooner Book Prize in Poetry\, and selected as one of the American Library Association’s “Notable Books of the Year.” Cannibal was a finalist for the PEN Center USA Literary Award\, and longlisted for the PEN Open Book Award and the Dylan Thomas Prize. Sinclair’s other honors include a Pushcart Prize\, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation\, fellowships from Yaddo\, the Bread Loaf Writers’ Conference\, and the Fine Arts Work Center in Provincetown. Her poems have appeared in Poetry\, Kenyon Review\, Granta\, The Nation\, New England Review\, Boston Review\, Oxford American\, the 2018 Forward Book of Poetry\, and elsewhere. She received her MFA in poetry at the University of Virginia\, and is currently a PhD candidate in literature and creative writing at the University of Southern California.
URL:https://www.warhol.org/events/the-black-ecstatic-an-evening-of-poetry-film/
LOCATION:Frick Fine Arts Building (Oakland)\, 650 Schenley Drive\, Pittsburgh\, PA\, 15260\, United States
CATEGORIES:Film and Video,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2018/06/Devan_Shimayama_He_Lies_He_Cries_2016.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181006T100000
DTEND;TZID=America/New_York:20181006T170000
DTSTAMP:20260622T032231
CREATED:20260421T140159Z
LAST-MODIFIED:20260421T141850Z
UID:10001839-1538820000-1538845200@www.warhol.org
SUMMARY:Symposium on the Cinema of George A. Romero
DESCRIPTION:In conjunction with the Romero Lives: Pittsburgh Celebrates George A. Romero city-wide tribute\, The University of Pittsburgh hosts a symposium\, featuring conversations about the work of Romero and his immense impact on horror\, cinema\, and popular culture. Speakers will examine Romero’s achievements in a series of panel discussions featuring distinguished filmmakers and scholars. \n\nPanelists include the Guggenheim award-winning film and video artist Peggy Ahwesh\, screenwriter and director Adam Simon (The American Nightmare\, Salem)\, and scholars Tom Gunning (University of Chicago\, recipient of the Distinguished Career Achievement Award from the Society for Cinema and Media Studies and author of such books as The Films of Fritz Lang: Allegories of Modernity)\, Joan Hawkins (Indiana University\, author of Cutting Edge: Art-Horror and the Horrific Avant Garde)\, and Isabel Cristina Pinedo (Hunter College\, author of Recreational Terror: Women and the Pleasures of Horror Film Viewing). \n\nThe symposium will also include a screening of the documentary The American Nightmare\, an exploration of the radical horror cinema of the 1970s\, directed by Adam Simon.
URL:https://www.warhol.org/events/symposium-on-the-cinema-of-george-a-romero/
LOCATION:Carnegie Museum of Art theater (Oakland)\, 4400 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2018/09/NightoftheLivingDeadField_FilmStill.jpg
GEO:40.443967;-79.949318
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Museum of Art theater (Oakland) 4400 Forbes Avenue Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Avenue:geo:-79.949318,40.443967
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181005T183000
DTEND;TZID=America/New_York:20181005T184500
DTSTAMP:20260622T032231
CREATED:20260421T140159Z
LAST-MODIFIED:20260421T141639Z
UID:10001834-1538764200-1538765100@www.warhol.org
SUMMARY:Screening of George A. Romero’s Season of the Witch with filmmaker Peggy Ahwesh
DESCRIPTION:In conjunction with the Romero Lives: Pittsburgh Celebrates George A. Romero city-wide tribute\, we present a screening of George A. Romero’s Season of the Witch. Billed as Romero’s “feminist film\,” Season of the Witch stars Joan Mitchell as an unhappy\, suburban housewife. Frustrated by her home life\, with an uncommunicative businessman husband and a distant 19-year-old daughter\, Joan seeks solace in witchcraft after visiting Marion Hamilton\, a local tarot reader and leader of a secret black arts wicca set. After dabbling in witchcraft\, Joan\, believing herself to have become a real witch\, withdraws into a fantasy world and sinks deeper and deeper into a new lifestyle where fantasy and reality are blurred. Eventually\, tragedy results. Following the screening\, filmmaker Peggy Ahwesh\, (b. 1954)\, a prolific filmmaker and video artist based in New York\, will discuss her practice and the influence and legacy of George A. Romero with the University of Pittsburgh’s Ben Ogrodnik. This event is organized by Jessica Beck\, Adam Lowenstein\, and Ben Ogrodnik. \nSeating is first come\, first served.
URL:https://www.warhol.org/events/screening-of-george-a-romeros-season-of-the-witch-with-filmmaker-peggy-ahwesh/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2018/08/season-of-the-witch.jpg
GEO:40.4483755;-80.0024907
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180629T190000
DTEND;TZID=America/New_York:20180629T191500
DTSTAMP:20260622T032231
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T190909Z
UID:10001798-1530298800-1530299700@www.warhol.org
SUMMARY:Art in Context: The Hustle
DESCRIPTION:In 1949\, a young Andy Warhol left Pittsburgh and settled in New York City\, where he balanced a career as a commercial illustrator with dreams of success in the art world. How do artists pay the bills in 2018? How is Pittsburgh’s art scene evolving and changing? Join us as we discuss the challenges and opportunities facing working artists and creative communities in Pittsburgh today.\n\nPanel participants include Casey Droege\, cultural producer\, artist\, and Executive Director of Casey Droege Cultural Productions; D.S. Kinsel\, creative entrepreneur\, cultural agitator\, and co-founder of BOOM Concepts; Chris McGinnis\, artist\, educator\, and Director and Chief Curator for Rivers of Steel Arts; and David B. Pankratz\, Research & Policy Director of the Greater Pittsburgh Arts Council. The talk will be moderated by Isolde Brielmaier\, Assistant Professor of Critical Studies in the Department of Photography\, Imaging and Emerging Media at New York University’s Tisch School of the Arts.
URL:https://www.warhol.org/events/art-in-context-the-hustle/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Art in Context,Free and Reduced,Lectures and Discussions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180601T180000
DTEND;TZID=America/New_York:20180601T210000
DTSTAMP:20260622T032231
CREATED:20260420T185604Z
LAST-MODIFIED:20260420T192354Z
UID:10001806-1527876000-1527886800@www.warhol.org
SUMMARY:Teen Town Hall
DESCRIPTION:Teen Town Hall is an intimate follow up to Youth Invasion 2018: Stay Woke. Hundreds of teens visited the museum for the annual event\, and although the youth were energized and empowered\, they wanted to know more about getting involved and staying engaged. The event features a panel of youth and adult activists sharing their experiences and advice. Space is limited.
URL:https://www.warhol.org/events/teen-town-hall/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Lectures and Discussions,Teens
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2018/04/06012018TeenTownHall_1_Credit-Sean-Carroll-scaled.jpg
GEO:40.4483755;-80.0024907
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180428T140000
DTEND;TZID=America/New_York:20180428T141500
DTSTAMP:20260622T032231
CREATED:20260416T184238Z
LAST-MODIFIED:20260416T190556Z
UID:10001769-1524924000-1524924900@www.warhol.org
SUMMARY:Andy Warhol’s Business Art with Anthony E. Grudin\, Alex J. Taylor\, and Blake Gopnik
DESCRIPTION:In conjunction with the exhibition Adman: Warhol Before Pop\, Anthony E. Grudin\, assistant professor of art history at The University of Vermont\, reads from his 2017 publication Warhol’s Working Class: Pop Art and Egalitarianism\, which explores Andy Warhol’s creative engagement with social class. During the 1960s\, Warhol’s work appropriated images\, techniques\, and technologies that have long been described as generically “American” or “middle class.” Alex J. Taylor\, assistant professor and academic curator at the University of Pittsburgh\, will present new research on Warhol’s now iconic canvases of Campbell’s Soup cans and his engagement in the 1960s with corporations\, specifically\, America’s burgeoning packaged food industry. \nFollowing the reading\, Blake Gopnik\, Warhol biographer and New York-based art critic\, leads a Q&A focusing on the points of intersection between Grudin’s latest book\, research\, and the themes of the exhibition Adman: Warhol Before Pop. \nAnthony E. Grudin received his B.A. in Art History from Reed College and his Ph.D. in Art History from the University of California\, Berkeley\, where he had a Javits Fellowship. Prior to his position at UVM\, he taught at Berkeley and the California College of the Arts\, and developed classes on modern and postmodern art\, curatorial practice\, the methods and theories of Art History\, relationships between art and athletics\, and the persistence of the Kantian notion of disinterest in the aesthetic sphere. \nAlex J. Taylor is a historian of modern American art and visual culture. His research interests include transnational modernisms\, studio practice\, artistic self-fashioning\, patronage\, consumer cultures\, and the intersections between art\, politics and capitalism. Taylor was the inaugural Terra Foundation Research Fellow in American Art at Tate\, where he led the Refiguring American Art initiative. Before shifting his focus to American art\, Taylor spent a decade working as an arts administrator\, critic and curator in Australia. He held key roles at the Australian Centre for the Moving Image and Experimenta Media Arts\, and as a board member and chair of National Exhibition Touring Support (Victoria). \nBlake Gopnik is an American art critic who lives in New York City. He is critic-at-large for Artnet News and writes on art and design for a wide range of publications. Gopnik is currently at work on a comprehensive biography of Andy Warhol.
URL:https://www.warhol.org/events/andy-warhols-business-art/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2018/01/Pair-of-Legs-with-Coca-Cola-Bottle-1998-1-1279.jpg
GEO:40.4483755;-80.0024907
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180105T190000
DTEND;TZID=America/New_York:20180105T210000
DTSTAMP:20260622T032231
CREATED:20260326T200359Z
LAST-MODIFIED:20260326T200634Z
UID:10001739-1515178800-1515186000@www.warhol.org
SUMMARY:Art in Context: Border Crossings
DESCRIPTION:Artists\, scholars\, and community members come together to consider creative expression in relation to timely political and social concerns. Explore shifting perspectives on historic and contemporary immigrant and refugee experiences in Pittsburgh and beyond. In a complex and contentious era of border closures\, anti-immigrant rhetoric\, and isolationism\, what role do artists play in maintaining the free exchange of ideas across cultural boundaries?  \nPanel participants include Betty Cruz\, Founder of Change Agency; Tuhin Das\, ICORN writer-in-residence at City of Asylum; Anne Madarasz\, Director of the Curatorial Division\, Chief Historian\, and Director of the Western Pennsylvania Sports Museum at the Heinz History Center; Grant Oliphant\, President of The Heinz Endowments; and John Righetti\, President Emeritus of the Carpatho-Rusyn Society.
URL:https://www.warhol.org/events/art-context-border-crossings/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Art in Context,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/10/1998-1-347_pub_01-1.jpg
GEO:40.4483755;-80.0024907
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171103T190000
DTEND;TZID=America/New_York:20171103T191500
DTSTAMP:20260622T032231
CREATED:20260325T173648Z
LAST-MODIFIED:20260325T181714Z
UID:10001729-1509735600-1509736500@www.warhol.org
SUMMARY:Cowboy Cinema
DESCRIPTION:Artist Farhad Moshiri’s lavish canvases draw inspiration from the tropes of the classic American Westerns he absorbed as a child in his father’s cinema in Iran. For artists like Moshiri and Andy Warhol alike\, the cowboy represents an enduring symbol of American identity\, culture\, and aspiration\, and serves as fodder for their own pop compositions. Join film scholar Dr. Mark Best and Chief Curator Jose Diaz as they discuss campy clips from Elvis Presley’s Flaming Star\, John Wayne classics dubbed in Farsi\, the Marx Brothers’ Go West\, Andy Warhol’s Lonesome Cowboys\, and more\, unpacking the romantic myth of the cowboy and its influence in global popular culture.
URL:https://www.warhol.org/events/cowboy-cinema/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Film and Video,Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/07/Nov3_CowboyCinema_1_web.jpg
GEO:40.4483755;-80.0024907
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171021T140000
DTEND;TZID=America/New_York:20171021T141500
DTSTAMP:20260622T032231
CREATED:20260325T173657Z
LAST-MODIFIED:20260325T182329Z
UID:10001732-1508594400-1508595300@www.warhol.org
SUMMARY:Crossing the Red Line: Exhibiting Iranian Art in the US
DESCRIPTION:Join us at City of Asylum for an afternoon with Dr. Shiva Balaghi\, an independent scholar and curator based in Los Angeles. For nearly two decades\, Dr. Balaghi taught cultural history at NYU and Brown University. She authored Picturing Iran: Art Society and Revolution and writes regularly for museums and art publications. Most recently she has contributed to the catalogue for Farhad Moshiri: Go West\, the first museum solo for one of Iran’s most prominent artists. \nIn conjunction with our Go West exhibition\, Balaghi will discuss Moshiri’s artwork and extend her discussion into what it means to exhibit\, write about\, critique\, and view contemporary Iranian art at museums in the United States.
URL:https://www.warhol.org/events/afternoon-dr-shiva-balaghi/
LOCATION:City of Asylum (North Side)\, 40 W North Avenue\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/07/Dr-Shiva-Balaghi-web.jpg
GEO:40.4555448;-80.0075102
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=City of Asylum (North Side) 40 W North Avenue Pittsburgh PA 15212 United States;X-APPLE-RADIUS=500;X-TITLE=40 W North Avenue:geo:-80.0075102,40.4555448
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170319T140000
DTEND;TZID=America/New_York:20170319T141500
DTSTAMP:20260622T032231
CREATED:20260324T191008Z
LAST-MODIFIED:20260324T191947Z
UID:10001680-1489932000-1489932900@www.warhol.org
SUMMARY:Activist Print: Artists in Dialogue
DESCRIPTION:In conjunction with the installation Activist Print\, join artists Paradise Gray\, Alisha B. Wormsley\, and Bekezela Mguni for an in-depth conversation about their participation in Activist Print\, a public art partnership between The Warhol\, Boom Concepts\, and Artists Image Resource (AIR). Moderated by project collaborator D.S. Kinsel\, the panel takes a close look at the artists’ practice through questions of activism and social justice in contemporary art and the community.
URL:https://www.warhol.org/events/activist-print-artists-in-dialogue/
LOCATION:The Warhol theater\, 117 Sandusky Street\, Pittsburgh\, PA\, 15212\, United States
CATEGORIES:Free and Reduced,Lectures and Discussions
ATTACH;FMTTYPE=image/jpeg:https://www.warhol.org/wp-content/uploads/2017/01/2017-03-19-Activist_Print_Dialogue-1080-1.jpg
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END:VEVENT
END:VCALENDAR