Andy Warhol, Outer and Inner Space, 1965, 16mm film, black-and-white, sound, 66 minutes; 33 minutes in double screen, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.
In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking lead to the creation of nearly 30 films that year alone. Warhol’s film techniques evolved, beginning with incorporating sound into his films and allowing others to guide the production of the film itself. Part of his goal was to make “bad” movies because “when you do something that’s exactly wrong, you always turn up something.”
Our daily theater screenings feature a selection of Warhol’s films from 1965 that showcase his masterful techniques of being a subversive and experimental filmmaker.
Camp, 1965
Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2:30 p.m.
Outer and Inner Space, 1965
Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2:30 p.m.
The Life of Juanita Castro, 1965
Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2:30 p.m.
Beauty #2, 1965
Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2:30 p.m.
Poor Little Rich Girl, 1965
Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2:30 p.m.
Vinyl, 1965
Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2:30 p.m.
Paul Swan, 1965
Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2:30 p.m.
My Hustler, 1965
Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2:30 p.m.