Good Business: Andy Warhol’s Screenprints

Warhol embraced mechanical processes early in his career and found in screenprinting the perfect vehicle for image repetition, both for his works on canvas and for portfolios of prints on paper. Through collaborations with his studio assistants and established print publishers, Warhol generated nearly 20,000 prints throughout his career. Screenprinting techniques allowed Warhol to create series of images in an assortment of color variations, resulting in one of his most recognizable signatures (the same image rendered in different colorways), while the ability to generate editions of prints on paper enabled collectors to acquire masterworks at (relatively) affordable prices. The salability of prints generated income that Warhol could use to fund his more avant-garde projects, as well as raise funds for causes that were personally important to him.

Good Business: Andy Warhol’s Screenprints provides insight into the screenprinting process and highlights how Warhol used this technique to explore familiar themes throughout his career. Warhol was many things—a painter, photographer, film director, entrepreneur, and commercial artist. Printmaker is a critical part of that extensive resume.

Lead support for Good Business: Andy Warhol’s Screenprints is provided by Nathalie and Stan Doobin. Generous support is provided by Clifford and Diane Rowe, Brian Wongchaowart and Andi Irwin, Debbie and William S. Demchak, Ina and Lawrence N. Gumberg, and Christine J. Toretti. Additional support is provided by Michele Fabrizi.

The Warhol’s exhibition program is made possible in part through support provided by the Curatorial Vision Fund. Leadership support for the Curatorial Vision Fund is provided by Jim Spencer and Michael Lin. Generous support is provided by Scott M. Mory, The William J. Butler Foundation, in memory of Jane Hays Butler, and Celine and Paul H. O’Neill, Jr.