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Past Film Schedules

October 1 – December 31, 2026

Warhol made only a few films which can be regarded as conceptual works, of which Sleep and Empire are the best examples. Warhol had the idea for Sleep — an eight hour film of a man sleeping — even before he bought his first movie camera, and began shooting footage... Read More

Black and white film still of close shot of a man lying on his back with his eyes closed. Only his head, neck, and portions of his raised arm are visible.

Andy Warhol, Sleep, 1963
16mm film, black-and-white, silent, 5 hours 21 minutes at 16 frames per second

Andy Warhol, Sleep, 1963
16mm film, black-and-white, silent, 5 hours 21 minutes at 16 frames per second

Sleep , 1963

16mm film transferred to digital file, black-and-white, silent, 5 hours 21 minutes at 16 frames per second

Warhol made only a few films which can be regarded as conceptual works, of which Sleep and Empire are the best examples. Warhol had the idea for Sleep — an eight hour film of a man sleeping — even before he bought his first movie camera, and began shooting footage of the poet John Giorno in July 1963. The finished film, however, is only 5-and-a-half hours long, a length which Warhol achieved by splicing together multiple copies of 4-minute camera rolls — a technique which he never used again in his filmmaking.

Daily, 11 a.m.

April 19 – September 30, 2026

During the summer of 1966, after shooting a number of short films featuring his associates, Warhol “got the idea to unify all the pieces of these people’s lives by stringing them together as if they lived in different rooms of the same hotel” – the Chelsea Hotel. The Chelsea Girls,... Read More

Double screen projection of Andy Warhol's The Chelsea Girls. The left side is a woman who's hand is resting on her chin, projected over her is a transparent slide of pink with white dots. The right side is a black and white image of a man reclining to the left of frame.

Andy Warhol, The Chelsea Girls,1966
16mm film, black-and-white and color, sound, 204 minutes in double screen
© The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, The Chelsea Girls,1966
16mm film, black-and-white and color, sound, 204 minutes in double screen
© The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

The Chelsea Girls , 1966

16mm film, black-and-white and color, sound, 204 minutes in double screen

Daily, 1 p.m.

April 15 – 18, 2026

Black and white film still of a close-up of a smiling person with a stylish earring and an elegant necklace, expressing joy.

Andy Warhol, Poor Little Rich Girl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Poor Little Rich Girl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Poor Little Rich Girl , 1965

16mm film transferred to digital file, black-and-white, sound, 66 minutes

Sunday, Wednesday, Friday 12:00pm
Monday, Thursday, Saturday 2:00pm

Black and white film still depicting a bustling scene as several individuals engage in various activities in a creative, energetic environment.

Andy Warhol, Vinyl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Vinyl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Vinyl , 1965

16mm film transferred to digital file, black-and-white, sound, 66 minutes

Monday, Thursday, Saturday 12:00pm
Sunday, Wednesday, Friday 2:00pm

December 2 – 7, 2025

In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking led to the creation of nearly 30 films that year alone. Warhol’s film... Read More

Color film still of a person in theatrical makeup and vibrant costume performs emotively against a dark, draped background.

Andy Warhol, Paul Swan, 1965, 16mm film, color, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Paul Swan, 1965, 16mm film, color, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Paul Swan , 1965

16mm film, color, sound, 66 minutes

Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2 p.m.

Black and white film still of a person sitting closely to another person on a sandy beach, both are engaged in a conversation.

Andy Warhol, My Hustler, 1965, 16mm film, black-and-white, sound, 67 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, My Hustler, 1965, 16mm film, black-and-white, sound, 67 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

My Hustler , 1965

16mm film, black-and-white, sound, 67 minutes

Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2 p.m.

November 24 – 30, 2025

In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking led to the creation of nearly 30 films that year alone. Warhol’s film... Read More

Black and white film still of a close-up of a smiling person with a stylish earring and an elegant necklace, expressing joy.

Andy Warhol, Poor Little Rich Girl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Poor Little Rich Girl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Poor Little Rich Girl , 1965

16mm film transferred to digital file, black-and-white, sound, 66 minutes

Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2 p.m.

Black and white film still depicting a bustling scene as several individuals engage in various activities in a creative, energetic environment.

Andy Warhol, Vinyl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Vinyl, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Vinyl , 1965

16mm film transferred to digital file, black-and-white, sound, 66 minutes

Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2 p.m.

November 17 – 23, 2025

In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking led to the creation of nearly 30 films that year alone. Warhol’s film... Read More

Black and white film still featuring a group of individuals sitting closely together, looking intently towards a focal point off-camera.

Andy Warhol, The Life of Juanita Castro, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, The Life of Juanita Castro, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

The Life of Juanita Castro , 1965

16mm film transferred to digital file, black-and-white, sound, 66 minutes

Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2 p.m.

Black and white still from the film showing two characters sitting on a bed in conversation, one dressed in a bra and underwear and the other shirtless.

Andy Warhol, Beauty #2, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Beauty #2, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Beauty #2 , 1965

16mm film transferred to digital file, black-and-white, sound, 66 minutes

Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2 p.m.

November 10 – 16, 2025

In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking led to the creation of nearly 30 films that year alone. Warhol’s film... Read More

Film still of two people in a film scene inside the Silver Factory, with one person guiding the other's hand movement. Other observers are visible in the background amidst reflective decor and film equipment.

Andy Warhol, Camp, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Camp, 1965, 16mm film, black-and-white, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Camp , 1965

16mm film, black-and-white, sound, 66 minutes

Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2 p.m.

A black and white film still split by a vertical line; on the left, a person gazes as another is spewing something out of their mouth towards their face, and on the right, the same person stares directly at something displaying their own side profile.

Andy Warhol, Outer and Inner Space, 1965, 16mm film, black-and-white, sound, 66 minutes; 33 minutes in double screen, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Outer and Inner Space, 1965, 16mm film, black-and-white, sound, 66 minutes; 33 minutes in double screen, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Outer and Inner Space , 1965

16mm film, black-and-white, sound, 66 minutes; 33 minutes in double screen

Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2 p.m.

November 2 – 8, 2025

In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking led to the creation of nearly 30 films that year alone. Warhol’s film... Read More

Color film still of a person in theatrical makeup and vibrant costume performs emotively against a dark, draped background.

Andy Warhol, Paul Swan, 1965, 16mm film, color, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Paul Swan, 1965, 16mm film, color, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Paul Swan , 1965

16mm film, color, sound, 66 minutes

Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2:30 p.m.

Black and white film still of a person sitting closely to another person on a sandy beach, both are engaged in a conversation.

Andy Warhol, My Hustler, 1965, 16mm film, black-and-white, sound, 67 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, My Hustler, 1965, 16mm film, black-and-white, sound, 67 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

My Hustler , 1965

16mm film, black-and-white, sound, 67 minutes

Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2:30 p.m.

Pagination Controls