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Film Schedule

October 5 – 11, 2025

In 1965, Andy Warhol fully transitioned the Factory from a painting studio to a film studio. By then, he had announced his “retirement” from painting and although he never completely abandoned the medium, his dedication to filmmaking led to the creation of nearly 30 films that year alone. Warhol’s film techniques evolved, beginning with incorporating sound into his films and allowing others to guide the production of the film itself. Part of his goal was to make “bad” movies because “when you do something that’s exactly wrong, you always turn up something.”

Our daily theater screenings feature a selection of Warhol’s films from 1965 that showcase his masterful techniques of being a subversive and experimental filmmaker.

Color film still of a person in theatrical makeup and vibrant costume performs emotively against a dark, draped background.

Andy Warhol, Paul Swan, 1965, 16mm film, color, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, Paul Swan, 1965, 16mm film, color, sound, 66 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Paul Swan , 1965

16mm film, color, sound, 66 minutes

Sundays, Wednesdays, Fridays at 12 p.m.
Mondays, Thursdays, Saturdays at 2:30 p.m.

Black and white film still of a person sitting closely to another person on a sandy beach, both are engaged in a conversation.

Andy Warhol, My Hustler, 1965, 16mm film, black-and-white, sound, 67 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

Andy Warhol, My Hustler, 1965, 16mm film, black-and-white, sound, 67 minutes, © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved.

My Hustler , 1965

16mm film, black-and-white, sound, 67 minutes

Mondays, Thursdays, Saturdays at 12 p.m.
Sundays, Wednesdays, Fridays at 2:30 p.m.