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Lesson The Pocket Project

A series of objects is arranged on the glass surface of a photocopier. At left, a student’s left hand adjusts a book, which is face down without a visible title. In the center of the glass surface, a worn 3″ by 5″ index card, a gift card, a small tin of mints, a clearly marked ChapStick, and a bright-red Tide-to-Go pen are arranged to fit the space. These objects are facedown on the glass for copying. On the right, the student’s right hand partially covers a pin with the words “Youth Express” inside an image of headphones.
In this lesson, students create and discuss unusual self-portraits by photocopying the contents of their pockets or bags.

Students create a photocopied or scanned image of the contents of their pockets, purses, or backpacks to create a portrait of themselves and of their culture. This activity can be used on its own or as a warm up for the collecting lessons.

Objectives

  • Students choose five to ten items from their pockets, purses, or backpacks.
  • Students arrange these items into a composition.
  • Students create a copy of their composition using a scanner or photocopier.
  • Students analyze and evaluate their objects.
  • Students draw conclusions about their class based on the objects.

I want to throw things right out the window as they’re handed to me, but instead I say thank you and drop them into the box-of-the-month. But my other outlook is that I really do want to save things so they can be used again someday.

Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), 1975

Points of View

When I think about poetry, I often think of pockets. Places where we keep things we need—pockets hide things, yet they also keep them close to us. Poems tend to expose the hidden things we carry with us—emotional things. And poets often find the emotional in the mundane, like the contents of pockets, or purses. Pockets also hide the talismans we keep with us out of superstition, or to provide us comfort. Often, we have difficulty explaining to others why certain things carry such emotional weight, why when we empty the pockets of one pair of pants, those same contents end up in the next pair we wear. Separated from their owners, these things carry their own mystery. They illustrate choices made. The small choices that add up, that create a secret snapshot of a life. Who knows what power or meaning these things hold for these individuals? All we know is that one day, they were in a pocket or purse, and here they are, spilled out from their dark homes especially for us. Can they be arranged into something meaningful like words of magnetic poetry? What interests me beyond the formal i.d. cards are the more subtle forms of identification—the choice of stamps, pens, drugs, cigarettes, mints, the receipts, ticket stubs, sunglasses, the snatches of personal notes. What’s more revealing, a condom or a Subway coupon? It’s a medley of the unrehearsed, the spontaneous revealed. One pocket includes a boarding pass from Tajikistan Airlines. I want to read that as Talisman Airlines. These photocopies take me on a magical flight.

Jim Daniels in Point of View label for gallery interactive, “Pocket Project” in Andy Warholʼs Time Capsules (November 5–July 18, 2005), The Andy Warhol Museum, October 2005

Materials

Procedure

  1. Empty out the contents of your pocket, purse, or backpack.
  2. Select and place items that you think are interesting on a sheet of white paper.
  3. Transfer objects to scanner or photocopier to create a copy. White paper should be placed over the objects to block light as they are scanned. Or arrange objects on piece of paper and take a photo using a phone or digital camera.
  4. Hang up photocopied or scanned and printed images.
  5. Use the Pocket Project handout to analyze the objects as a group.
  6. Draw conclusions about your class based on the objects.

Wrap Up

While looking at the image of objects answer the following prompts:

  1. Describe what these objects are.
  2. If someone came across this paper and didn’t know you, what could they tell about you or your class?
  3. If someone 100 years from now came across your class’s collection of objects, what could they tell about you as a group?
  4. What would they learn about the current year?
  5. What important stories would they be able to tell?

Assessment

The following assessments can be used for this lesson using the downloadable assessment rubric.

  • Communication 3
  • Creative process 1
  • Critical thinking 2